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For young people, the space of the drama classroom can be a space for deep learning as they struggle across difference to create something together with common purpose. Collaborating across institutions, theatres, and community spaces, the research in Hope in a Collapsing World mobilizes theatre to build its methodology and create new data with young people as they seek the language of performance to communicate their worries, fears, and dreams to a global network of researchers and a wider public. A collaboration between a social scientist and a playwright and using both ethnographic study and playwriting, Hope in a Collapsing World represents a groundbreaking hybrid format of research text and original script – titled Towards Youth: A Play on Radical Hope – for reading, experimentation, and performance.
STORM are . . . Will Knight: 14. Inventive genius. Creates cutting-edge gadgets. Andrew Minkel: 14. Software millionaire. Founder of STORM. Gaia: 14. Brilliant chemist with a habit of blowing stuff up. Two high profile burglaries have hit the headlines in Venice. CCTV footage shows a strange spectral form at the crime scenes and the thefts are soon dubbed the work of Il Fantasma – The Ghost. STORM – called to investigate – suspect that the Ghost is part of a larger, more sinister plan – involving a secret cult, quantum computers, and a plot to plunge the world into chaos . . . Armed with brilliant brains, high-speed boats and a mass of mind-boggling gadgets can STORM find the mind behind the mayhem – the unknown Ghostmaster? Biographies
John Craig (1773-1850) was born in South Carolina according to the 1850 Census of Lawrence Co., Alabama. He married Elizabeth Andrews in in Rowan Co., North Carolina in 1795. They were the parents of eight children. They moved their family from Rowan Co. to Giles Co., Tennessee in 1806. By the 1850 Census, the family was living in Lawrence Co., Alabama. Several generations of descendants are given.