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Attempting to restore subtlety and nuance to the study of southern religion, The Sacred Flame of Love ranges across the entire nineteenth century to chronicle the evolution of the institutions, theology, and social attitudes of Georgia Methodists in light of such phenomena, trends, and events as slavery, class prejudice, republicanism, population growth, economic development, sectional politics, war, emancipation, and urban growth. In connecting Methodist history with the larger social transformation of nineteenth-century Georgia, Christopher H. Owen uncovers a story of considerable complexity and variety. Because Georgia Methodists included people from every social class, few generalizations apply properly to all of them. For many years they were loosely united by common adherence to the ideals of Wesleyan evangelicalism, but economic and political developments would gradually accentuate Methodist social divisions and weaken even this bond. Indeed, deviating far from the conception of unchanging and asocial southern religion often held by scholars, Owen sees both church and society undergoing enormous change in the nineteenth century.
In this pioneering science-fictional treatment of superhuman intelligence, a mutant wonder child’s insights prove devastating. Science fiction luminary Ted Chiang introduces The Hampdenshire Wonder, one of the genre’s first treatments of superhuman intelligence. Victor Stott is a large-headed “supernormal” mutated in the womb by his parents’ desire to have a child born without habits. Known as “the Wonder,” Victor surveys humankind’s science, philosophy, history, literature, religion—the best that has been thought and said—and dismisses it brutally: “So elementary . . . inchoate . . . a disjunctive patchwork.” Rejecting “the interposing and utterly false concepts of space and time,” the Wonder claims that life itself is merely “a disease of the ether.” Unable to deal with the child’s disenchanting insights, his adult interlocutors seek to silence him . . . perhaps permanently.
A satire set in a future England, in which a neomedievalist contest among London neighborhoods takes a disastrous turn. When Auberon Quin, a prankster nostalgic for Merrie Olde England, becomes king of that country in 1984, he mandates that each of London’s neighborhoods become an independent state, complete with unique local costumes. Everyone goes along with the conceit until young Adam Wayne, a born military tactician, takes the game too seriously . . . and becomes the Napoleon of Notting Hill. War ensues throughout the city—fought with sword and halberd! G. K. Chesterton (1874–1936) was an English author, poet, critic, and newspaper columnist known for his brilliant, epigrammatic paradoxes. His best-known character is the priest-detective Father Brown, featured in over fifty stories published between 1910 and 1936, who solves mysteries and crimes thanks to his understanding of spiritual and philosophic truths; and his best-known novel is The Man Who Was Thursday (1908), a metaphysical thriller. In addition to The Napoleon of Notting Hill, his first novel, he wrote several other near-future satires of England.
Residents face martial law, a cashless economy, and a host of ruthless leaders seemingly bent on making the maneuvers more than just a military operation.
Trapped in a London laboratory during a worker uprising, a physicist and war veteran awakens 150 years later—on the eve of a new Dark Age! In The People of the Ruins, Edward Shanks imagines England in the not-so-distant future as a neomedieval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era’s smug doctrine of Progress, he eventually decides that he prefers the postcivilized life. But, when the northern English and Wels...
A romance of the far future, in which humankind has relocated underground, where it is beset by monsters from another dimension—but love leads on. In the far future, humankind’s survivors huddle below Earth’s frozen surface in a pyramidal fortress-city that, for centuries now, has been under siege by loathsome “Ab-humans,” enormous slugs and spiders, and malevolent “Watching Things” from another dimension. When our unnamed protagonist receives a telepathic distress signal from a woman whom (in a previous incarnation) he’d once loved, he sallies forth on an ill-advised rescue mission—into the fiend-haunted Night Land! “Like certain rare dreams,” C. S. Lewis wrote of Hodg...
When a capitalist cabal plots to assassinate Lenin, can quick-witted American workers ride to the rescue before it's too late?—a new translation. In Yankees in Petrograd, the Russian author Marietta S. Shaginyan (writing under the American nom de plume Jim Dollar) gives us a riveting crime and espionage adventure with science fiction elements. Despite having awesome technologies such as public transportation that bends space and time and electrical forcefields protecting Soviet Russia against its foes, the world’s first proletarian state is threatened by a fascist organization that will stop at nothing—including kidnapping, mesmerism, and infiltration—to assassinate Vladimir Lenin an...
The first English translation of a cult science fiction favorite by Hemendra Kumar Roy, one of the giants of early Bangla literature, and other sf stories from the colonial period in India. Kalpavigyan—science fiction written to excite Bengali speakers about science, as well as to persuade them to evolve beyond the limitations of religion, caste, and class—became popular in the early years of the twentieth century. Translated into English for the first time, in this collection you’ll discover The Inhumans (1935), Hemendrakumar Roy’s satirical novella about a lost race of Bengali supermen in Uganda. Also included are Jagadananda Ray’s “Voyage to Venus” (1895), Nanigopal Majumdar’s “The Mystery of the Giant” (1931), and Manoranjan Bhattacharya’s “The Martian Purana” (1931).