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Feeling Backward
Feeling Backward weighs the costs of the contemporary move to the mainstream in lesbian and gay culture. While the widening tolerance for same-sex marriage and for gay-themed media brings clear benefits, gay assimilation entails other losses--losses that have been hard to identify or mourn, since many aspects of historical gay culture are so closely associated with the pain and shame of the closet. Feeling Backward makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. It looks at early-twentieth-century queer novels often dismissed as "too depressing" and asks how we might value and reclaim the dark feelings that they represent. Heather Love argues that instead of moving on, we need to look backward and consider how this history continues to affect us in the present. Through elegant readings of Walter Pater, Willa Cather, Radclyffe Hall, and Sylvia Townsend Warner, and through stimulating engagement with a range of critical sources, Feeling Backward argues for a form of politics attentive to social exclusion and its effects.
Teaching Modernist Women's Writing in English
Offers pedagogical techniques for teaching anglophone modernist writing by Virginia Woolf, Gertrude Stein, Dorothy Richardson, Jean Rhys, Nella Larsen, and others. Gives syllabus suggestions for undergraduate and graduate courses in literature and writing. Covers topics such as feminism, gender identity, canon formation, politics, activism, and war. Suggests many digital humanities approaches.
Incredible Modernism
With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
Hayford Hall
As a critical treatment of the living and writing that unfolded at the estate, 'Hayford Hall: Hangovers, Erotics, and Modernist Aesthetics' asserts that female modernists who gathered there integrated public art with their private lives, thus making their personal writing works of experimental aesthetics.
Ghost Words and Invisible Giants
In Ghost Words and Invisible Giants, Lheisa Dustin engages psychoanalytic theory to describe the “language of suffering” of iconic modernist authors H.D. and Djuna Barnes, tracing disconnection, psychic splitting, and virulent thought patterns in creative works that have usually been read as intentionally enigmatic. Dustin imbricates Barnes and H.D.’s sense of tenuous psychic boundaries with others – parent figures, otherworldly and divine beings, and ambivalent or malignant love objects – in their creative brilliance, suggesting that the writers’ works stage – and also help manage – their psychic suffering in language in which signifier (the sound or image of the word) and s...
Women Making Modernism
Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. This volume shows how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement.
The Mystery
In ""The Mystery"", finished in 1951 but never before published, H.D. tells a tale of love, intrigue, and religious redemption. Drawn from her notes to her memoir, ""The Gift"", the novel imaginatively re-creates the history of her mother's Moravian Church, Unitas Fratrum, and its leader, Count Zinzendorf, from which she believed she had inherited a psychic 'gift'. This 'gift' enables her to reenvision her inheritance. The Moravian cousins, Elizabeth de Watteville and Henry Dohna, Zinzendorf's grandchildren, travel to Prague in winter 1788, on the eve of the French Revolution. There they meet Count Louis Saint-Germain, a magician and counterrevolutionary plotter, whose life changes as he joins their search to find Zinzendorf's lost Plan for 'world unity without war'. A hybrid novel combining modernist stream-of-consciousness and medieval legend, ""The Mystery"" completes H.D.'s cycle of romances following The Sword Went Out to Sea and White Rose and the Red. It reveals her feminist theology and writes finis to her obsession with spiritualism. Jane Augustine's introduction and extensive notes provide a significantly enlarged view of H.D.'s religious thinking.
White Rose and the Red
"Never before published, White Rose and the Red is the fictional biography of Elizabeth Siddall, wife of English poet and painter Dante Gabriel Rossetti. This extraordinary novel explores the charged interpersonal relationships between and among Siddall, Rossetti, and other key members of the pre-Raphaelite movement, including William Morris and John Ruskin, in an effort to depict struggles of nineteenth-century women within the avant-garde sphere." "During H.D.'s lifetime, publishers shied away from the novel's radically unconventional hybrid form that combines elements of historical nonfiction, fiction, and biography. As part of the dense and allusive prose trilogy written during and after...
Feminist Periodicals
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