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New Critical Perspectives on Martin Walser
Critical essays on contemporary German novelist. Martin Walser (born 1927) is one of the most prolific contemporary German novelists, and one with a place in world literature. His work provides an astute critical commentary in novelistic form on postwar Germany. The present volume comprises essays by eleven Walser experts on various aspects of his writings, with concentration on the novels of the last 15 years, books such as Runaway Horse (1978), The Inner Man (1979), The Swan Villa(1980), Letter to Lord Liszt (1982), and In Defense of Childhood (1991). Parallels and influences discussed in these studies include Schiller, Richardson, Hofmannsthal, Kafka, Thomas Mann, Marcel Proust, Updike, Brecht, and Walter Kempowski.
The Image and Influence of America in German Poetry Since 1945
Examines the image of the US in German poetry and the reception and influence of American poetry in Germany since 1945. This book focuses on the image of the US in German poetry and the reception of American poetry in Germany since 1945. Gregory Divers examines poems by major figures in 20th-century German literature - Benn, Brecht, Bachmann, Jandl, and Grass, among others - and by other poets who shaped America's postwar image in Germany. Divers traces America's postwar status in Germany from the prisoner-of-war poems of G nter Eich to the pop poetry of Rolf Dieter Brinkmann and Peter Handke. Continuing, he finds that although the 1960s protest poems of Erich Fried and others reflect the ta...
Space, Place and Poetry in English and German, 1960–1975
Space, Place and Poetry in English and German, 1960-1975 examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.
Seelenarbeit an Deutschland
The last decade has undoubtedly been the most controversial in the long literary career of Martin Walser. This volume presents a review of this career, going far beyond short-lived arguments to present an insightful overview of much of his work. It considers not only major aspects of his writing, covering both his literary beginnings and the most recent works, but also different, previously neglected features of his persona and his writing, namely his activity as a university teacher and his art criticism. In addition, fruitful comparisons are made with other writers, such as Proust, Grass and Uwe Johnson. At the same time, recent controversies are also considered with major attention being paid to Walser’s public speeches and those works of fiction which have been seen by some as demanding the end of German self-recriminations over the Nazi past. This volume is unique in that much space is devoted to both sides of the argument. It will provide stimulating reading to all those interested in Germany and German literature.
I Am Too Many People
Introduces to an American audience the contemporary Austrian playwright, poet, essayist, political activist, occasional actor, and cultural critic whose plays are translated into 20 languages and political commentaries quoted in magazines and newspaper. Most the 15 essays begin with his dramatic work and delve beneath his sensationalism to explore his obsession with the power of the theatrical image. Assumes no knowledge of German. Annotation copyrighted by Book News, Inc., Portland, OR
Fülle des Lauts
Seit dem Beginn der Moderne im späten 18. Jahrhundert gibt es in der deutschsprachigen Lyrik Bestrebungen, die ‚multimediale Ganzheit‘, die die Lyrik in der Vormoderne vielfach gebildet hatte, unter den Bedingungen der modernen Schriftkultur wiederzugewinnen. Lyrik wird im Rahmen des neuen Formats der Dichterlesung aufgeführt und, im Umkreis der Romantik, dezidiert musikalisiert. Dieses Projekt der Re-Performativierung und Re-Musikalisierung der Lyrik wurde seit den 1960er Jahren aktualisiert und hat gegenwärtig einen Höhepunkt erreicht. Dabei spielen die neuen medialen Möglichkeiten durch Tonträger, und Film eine zentrale Rolle. Die Arbeit stellt diese Entwicklung dar und bietet neue methodologische Wege zur Interpretation performativer Lyrik, die vor allem anhand des Werks Ernst Jandls erprobt werden.
Monatshefte
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Rendezvous
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Modern Drama Scholarship and Criticism 1981-1990
A selective list of publications for the period, offering some 25,200 entries (no annotations) arranged by nationality and linguistic groups. Most entries concern literary currents in drama since the last third of the 19th century, playwrights who lived at least part of their lives in the 20th century, noted directors, and performance theory. For students and scholars of modern dramatic literature. While annual supplements of recent publications appear in the journal Modern Drama, new compilers took a publication date of 1991 as their starting point for listings, leaving some 2,000 items collected after 1992 appearing only in this volume. Annotation copyrighted by Book News, Inc., Portland, OR
The Political Psychology of the White Collar Worker in Martin Walser's Novels
This study evaluates the reception of Martin Walser's novels by critics and reviewers between 1957 and 1978 in West Germany, East Germany, Britain and the USA. It demonstrates the connection between the aesthetic responses and the political positions of the critics. The novel Jenseits der Liebe is identified as both a turning point in Walser's development and as a case of inconsistent reception by critics. Walser's treatment of the political psychology of the salaried employee with its deep loyalty conflicts disturbed the critics more profoundly than the identity problems of his earlier and later heroes.
