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Salman Rushdie is perhaps the most important writer of the present time. His significant and controversial literary interventions in debates on post-colonial culture and contemporary South Asian Islam are matched by the contribution he has made to postmodern literature in the West (culminating in the award to him in 1993 of the twenty-fifth-anniversary Booker of Bookers prize). This collection of articles focuses on Rushdie's five novels. The context is set by the introduction, The Politics of Salman Rushdie's Fiction, which discusses the political stance of Rushdie's fiction, the various influences on his work, and the textual strategies and techniques he employs, for political expression and cultural critique. The postmodern/post-colonial interface, the carnivalesque, and satire are major themes treated here and in the articles that follow, which also provide diverse other perspectives on Rushdie's thought and method. A number of essays have been commissioned specially for this volume. An appendix listing selected writings by Rushdie and articles on the Satanic Verses Affair is followed by a comprehensive bibliography annotating critical studies of Rushdie's work.
In "The Landloper," Holman Day explores the life of a wandering man who is both a product of and a reaction to the rapidly changing American landscape of the early 20th century. Through vivid descriptive passages and character-driven narratives, Day delves into themes of freedom, belonging, and the essence of the American spirit. The novel's literary style reflects the era's transition from romanticism to realism, offering readers a rich tapestry of the protagonist's interactions with nature and society, underscored by a deep yearning for connection and authenticity in a world marked by industrial progress. Holman Day, a prominent American novelist and journalist, drew from his own experienc...
Reproduction of the original. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.
In this book, Asian Diaspora and East-West Modernity, Sheng-mei Ma analyzes Asian, Asian diaspora, and Orientalist discourse and probes into the conjoinedness of West and East and modernity's illusions. Drawing from Anglo-American, Asian American, and Asian literature, as well as J-horror and manga, Chinese cinema, the internet, and the Korean Wave, Ma's analyses render fluid the two hemispheres of the globe, the twin states of being and nonbeing, and things of value and nonentity. Suspended on the stylistic tightrope between research and poetry, critical analysis and intution, Asian Diaspora restores affect and heart to diaspora in between East and West, at-homeness and exilic attrition. Diaspora, by definition, stems as much from socioeconomic and collective displacement as it points to emotional reaction. This book thus challenges the fossilized conceptualizations in area studies, ontology, and modernism.
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