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Scots in the Polish-Lithuanian Commonwealth, 16th to 18th Centuries
In the period between the sixteenth and eighteenth centuries a considerable number of Scots migrated to the Polish-Lithuanian Commonwealth. Some sojourned there for some time, while others stayed permanently and exercised commercial business and crafts. The migration stopped in the eighteenth century, and the Scots who remained in Poland seem to have lost their ethnic identity. This book offers an examination and assessment of this migration: numbers of migrants; patterns of settlement; laws regulating Scottish presence in Poland-Lithuania; their commercial, academic, religious and military activities; their social advancement into the Polish nobility; their assimilation and then the eventual disappearance as a distinct ethnic group in Poland-Lithuania.
Here All Is Poland
On 10 April 2010, Polish President Lech Kaczynski and First Lady Maria Kaczynska were killed in an airplane crash outside the city of Smolensk in western Russia, where they were flying to commemorate the 70th anniversary of the Soviet massacre of over twenty-one thousand Polish prisoners during the Second World War. Eight days later, the president and his wife were laid to rest beneath the Krakow Cathedral on Wawel Hill, an ancient necropolis of Polish kings and queens and the most prestigious burial site in all of Poland, where only six other meritorious, non-royal national figures have been enshrined since the demise of the Polish monarchy in the late eighteenth century. The decision to bu...
Processional Cultures of the Eucharist: Vienna and her Central European Counterparts
The main question addressed in this comparative analysis was how we should and/or could interpret the socio-cultural and political role of late medieval Eucharistic marches in the context of Central European, especially in both residential and capital urban communities. One might conclude in the case of Vienna that concerning the form of Eucharistic processions the regulations and orders of marches always involved acts of power from external authorities imposing their political, social and cultural agenda on non-individualized groups of people.
Acropolis
Although he never left his native Kraków except for relatively short periods, Stanisław Wyspiański (1869-1907) achieved worldwide fame, both as a painter, and Poland’s greatest dramatist of the first half of the twentieth century. Acropolis: the Wawel Plays, brings together four of Wyspiański’s most important dramatic works in a new English translation by Charles S. Kraszewski. All of the plays centre on Wawel Hill: the legendary seat of royal and ecclesiastical power in the poet’s native city, the ancient capital of Poland. In these plays, Wyspiański explores the foundational myths of his nation: that of the self-sacrificial Wanda, and the struggle between King Bolesław the Bold...
The Polish Review
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