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In 1998, the Belitung, a ninth-century western Indian Ocean–style vessel, was discovered in Indonesian waters. Onboard was a full cargo load, likely intended for the Middle Eastern market, of over 60,000 Chinese Tang-dynasty ceramics, gold, and other precious objects. It is one of the most significant shipwreck discoveries of recent times, revealing the global scale of ancient commercial endeavors and the centrality of the ocean within the Silk Road story. But this shipwreck also has a modern tale to tell, of how nation-states appropriate the remnants of the past for their own purposes, and of the international debates about who owns—and is responsible for—shared heritage. The commerci...
In Bishan, the busiest suburb of Singapore, thirteen small beauty parlours coexist quietly, offering haircuts, bikini waxes and facials at no-nonsense prices. All that changes when a swanky new salon opens. D’Asthetique (Beauty Is Skin Deep) is run by April Chua, the stylist to the stars. April’s plan for Bishan includes controlling her competitors through a new society, NAILSO (Neighbourhood Alliance of Independent Lifestyle Service Operators). The only person who dares to protest is chubby Gurpreet Kaur, owner of Monty Beauty Spa (Beauty from Within, Fourth Wax Free). Both have clients in the upcoming Grand Glam Singapore beauty contest. Will April’s shoo-in Candy Kang prove yet again why she is Singapore’s sweetheart? Or will Gurpreet’s client, Tara Chopra, prove a star on stage as well as in court? The winner will determine who will lead NAILSO; the loser will never be able to show her facials again. Can there only be one beauty queen of Bishan?
Written by author and speaker Shawn Seah, My Father's Kampung delves into the social history of Aukang and Punggol as it traces a son's journey to better understand and appreciate the kampung life his father lived. The book is rich in personal stories and oral histories of those who lived there from the 1940s to 1970s, brought to life by Seah's passionate narrative as well as illustrations and photos.This book is supported by the National Heritage Board, with Forewords by Robert Yeo and Montfort Alumni.
The best short fiction published by Singaporean writers in 2017 and 2018. The Epigram Books Collection of Best New Singaporean Short Stories: Volume Four gathers the finest Singaporean stories published in 2017 and 2018, selected by guest editor Pooja Nansi from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. Reader Reviews "The stories range from intimate family portraits to speculative science fiction, but every piece speaks to universal experiences of love, loss, desire, and disappointment ... If you've either never read Singaporean literature, this would be a good place to start. If Crazy Rich Asians was the last thing you read by a local author, even better." — Wonderwall.sg
Shakespeare in Singapore provides the first detailed and sustained study of the role of Shakespeare in Singaporean theatre, education, and culture. This book tracks the role and development of Shakespeare in education from the founding of modern Singapore to the present day, drawing on sources such as government and school records, the entire span of Singapore's newspaper archives, playbills, interviews with educators and theatre professionals, and existing academic sources. By uniting the critical interest in Singaporean theatre with the substantial body of scholarship that concerns global Shakespeare, the author overs a broad, yet in-depth, exploration of the ways in which Singaporean approaches to Shakespeare have been shaped by, and respond to, cultural work going on elsewhere in Asia. A vital read for all students and scholars of Shakespeare, Shakespeare in Singapore offers a unique examination of the cultural impact of Shakespeare, beyond its usual footing in the Western world.
This book looks at culturally significant, English-language texts produced in Singapore in the last 20 years by writers such as Balli Kaur Jaswal, Alfian Sa’at, Claire Tham, Amanda Lee Koe, Ng Yi-Sheng and Kevin Kwan. It provides an analysis sensitive to the writers' socio-political and cultural contexts, and shows how Singapore's Anglophone literature successfully disrupts the government’s narrative on transforming the island into a global city. By asking difficult questions, challenging hegemonic perspectives and exploring alternatives, the writers interrogate the country’s colonial history, its post-colonial Cold War development, and the normalization of totalizing narratives. Their texts also grapple with key aspects of contemporary Singapore society: its official multiracialism, forms of inequality, distribution of privilege, and gender and sexual politics. By connecting these texts to developments in postcolonial literary criticism, cosmopolitanism and globalization studies, thisbook sheds light on the ideological and cultural forces at work in Singapore society today.
The Methuen Drama Handbook of Interculturalism and Performance explores ground-breaking new directions and critical discourse in the field of intercultural theatre and performance while surveying key debates concerning interculturalism as an aesthetic and ethical series of encounters in theatre and performance from the 1960s onwards. The handbook's global coverage challenges understandings of intercultural theatre and performance that continue to prioritise case studies emerging primarily from the West and executed by elite artists. By building on a growing field of scholarship on intercultural theatre and performance that examines minoritarian and grassroots work, the volume offers an alter...
Performing Southeast Asia: Performance, Politics and the Contemporary is an important reconsideration of the histories and practices of theatre and performance in a fluid and dynamic region that is also experiencing an overarching politics of complexity, precarity and populist authoritarian tendencies. In a substantial introductory essay and essays by leading scholars, activists and practitioners working inside the region, the book explores fundamental questions for the arts. The book asks how theatre contributes to and/or addresses the political condition in the contemporary moment, how does it represent the complexity of experiences in peoples’ daily lives and how does theatre engage in ...
It is 1944 in India and Nimita Khosla yearns to attend university to become an engineer, but her parents want a different life for her. As she accepts her fate and marries, religious upheaval is splitting the country and forcing her family to find a new home. In 2014, her granddaughter, molecular biologist Nimita Sachdev, escapes India to run away from the prospect of an arranged marriage. Staking out a future in Singapore, she faces rising anger against immigrants and uncertainty about her new home. Two generations apart, these two women walk divergent paths but face the same quandaries: who are we, and what is home?
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