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Research materials on the Australian and international publishing/book industry. These materials are in the form of book chapters, articles in newspapers, magazines and journals, privately or university commissioned reports or studies, and excerpts from various Commissions of Inquiry into the industry. This collection also comprises recorded interviews with publishers, literary editors and writers on audio-cassettes.
American Remakes of British Television: Transformations and Mistranslations, edited by Carlen Lavigne and Heather Marcovitch, is an international, multidisciplinary collection exploring a specific set of television remakes (including The Office, Life on Mars, Sanford and Son, What Not to Wear, and others) through the lenses of communications studies, English, history, psychology and cultural studies. What does it mean to remake a television program? What does the process of "Americanization" entail? What might the success or failure of a remade series tell us about the differences between American and British producers and audiences? The analysis in this volume results in a rich and multifaceted overview of approaches to global television studies.
The first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genr...
Survivor. The Bachelor. Extreme Makeover. Big Brother. Joe Millionaire. American Idol. The Osbournes. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace. Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family, Cops, and The Real World to the most recent crop of reality programs, Reality TV is the first book to address the economic, visual, cultural, and audience dimensions of reality television. The essays provide a comple...
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Volume contains: 94 NY 51 (Bergmann v. Jones) 94 NY 64 (Hentz v. Miller) 94 NY 71 (Marvin v. Brooks) 94 NY 82 (Baldwin v. Moffett) 94 NY 86 (Bowen v. Beck) 94 NY 90 (Thorne v. Turck) 94 NY 98 (Ryerson v. Welling) 94 NY 624 (Bollermann v. Blake) 94 NY 626 (Luffman v. Hoy) 94 NY 626 (Sherwood v. Hauser) 94 NY 630 (First Nat'l Bk of Helena v. Sherwood) Unreported Case (Welling v. Ryerson)
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