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1818: In the Gulf waters off the Texas coast, the pirate Jean Lefitte and his partner Jim Bowie launch an attack on the Mother Mary, a slave ship carrying an invaluable treasure. The Present: Fifth-generation Texas Ranger Caitlin Strong finds herself investigating the murder of the oil rig crew that had found the long-lost wreckage of the Mother Mary. The crew also uncovered something else beneath the surface of the sea—something connected to a terrorist attack about to be launched by a mad American-born cleric who has recruited an army of homegrown terrorists. With the stakes higher than any she has encountered before, Caitlin races to find the connection between the secret treasure of the Mother Mary and the deadly secret hidden on the bottom of the ocean. Caitlin's only chance to defeat the terrorists lies in the darkest reaches of the Louisiana bayou. In the end, only the strongest of vengeance can win the day. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Shaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women’s roles, while expanding this advocacy into considerations of Ireland. Shaw’s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues.
When most people think of Detroit and music, they think of the Motown sound. But what many people forget is that Detroit has a remarkable jazz history, which became a major influence in what came to be known as the Motown sound. Before Motown is the first book about the history of jazz in Detroit. It shows the significant impact Detroit has had on the development of jazz in America, with its own sound, distinct from that of the other jazz centers of Chicago, New Orleans, St. Louis, or Kansas City. Starting with the big bands in the 1920s, with groups like the McKinney's Cotton Pickers and Jean Goldkette's Orchestra, and continuing into the 1950s, Detroit experienced a golden age of modern ja...
The Belden family, originally of England, settled in New York.
Descendants of Richard Curtis, Sr., who was born 1728 in Dinwiddie Co., Virginia, a son of William and Hannah Curtis. His mother, Hannah, married William Cook (d. 1739) and 1740 Robert Courtney. He married Phoeby Courtney Jones born in 1724. She was the daughter of Robert and Abigail Courtney. Phoebe was previously married to William Jones (d. 1745) in 1743. They had one son, John. Phoebe and Richard Curtis had four sons and three daughters, who were born in North Carolina, Virginia and South Carolina. Family migrated from South Carolina to Natchez, Mississippi.