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Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.
This edited collection offers a range of critical, analytic and personal reflections on how music provides a container and a medium for experiencing, processing and integrating embodied encounters with death. It showcases interdisciplinary case studies written by authors from across Australia, France, The Netherlands, Poland and the UK.
Peripheral Linguistic Brutality is a sociolinguistic investigation into the production of “metalness” through language in the Asia Pacific. Concentrating on the ways local music scenes adopt, reject, and modify linguistic ideologies, the authors (hosts of the podcast Lingua Brutallica) examine how translocal participation in metal settings shapes how and why specific language forms are used to construct “metal language.” Although much research has been done on language flows and use in global subcultures, their volume intervenes in two key ways. First, most prior work has centered on hip-hop, which unlike metal has an established “origin” dialect, namely AAVE (African American Ve...
Horror fiction--in literature, film and television--display a wealth of potential, and appeal to diverse audiences. The trope of "the black man always dies first" still, however, haunts the genre. This book focuses on the latest cycle of diversity in horror fiction, starting with the release of Get Out in 2017, which inspired a new speculative turn for the genre. Using various critical frameworks like feminism and colonialism, the book also assesses diversity gaps in horror fictions, with an emphasis on marketing and storytelling methodology. Reviewing the canon and definitions of horror may point to influences for future implications of diversity, which has cyclically manifested in horror f...
This edited collection provides sociological and cultural research that expands our understanding of the alternative, liminal or transgressive; theorizing the status of the alternative in contemporary culture and society.
This book, written from a feminist perspective, uses the focus of duelling to discuss the nature of masculinity in Russia. It traces the development of duelling and masculinity historically from the time of Peter the Great onwards, considers how duelling and masculinity have been represented in both literature and film and assesses the high emphasis given in Soviet times to gender equality, arguing that this was a failed experiment that ran counter to Russian tradition. It examines how duelling continues to be a feature of life in contemporary Russia and relates the situation in Russia to wider scholarship on the nature of masculinity more generally. Overall, the book contends that Russia’s valuing of a strong, militaristic form of masculinity is a major problem.
Gender and Parenting in the Worlds of Alien and Blade Runner is a comparative, gendered analysis study of Ridley Scott’s contributions to the genre of science fiction and horror cinema, showcasing how patriarchal and gendered expectations regarding women, usually associated with the past, still run rampant.
This annual chronicle of United States theater continues its long tradition of preserving the history of theater in the United States. For this 87th edition, essays by noted theater critics and writers celebrate the season and the ten best plays of 2005-2006. In addition to providing a variety of historical perspectives for the study and enjoyment of theater lovers, Best Plays includes a compendium of facts and figures about the year in United States theater, all illustrated with 100 black-and-white photographs.
This book examines childbirth and parenting in horror texts. By analysing new texts, and re-analysing commonly used texts with new feminist methodology, this study provides a unique contribution to the fields of gender and horror studies.