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Illuminating the Dark Side: Evil, Women and the Feminine
Evil. Women. The Feminine. The relationships that bring together these three ideas form the basis for the papers gathered together in this volume. By asking how, why, when, and to what purpose these three terms are often linked serves as the starting point of interrogation for each of the authors here considered.
Final Girls, Feminism and Popular Culture
This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.
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A Report on the Afterlife of Culture
In A Report on the Afterlife of Culture, one of Canadas most provocative writers ranges across continents, centuries and linguistic traditions to examine how literary culture and our perception of history are changing as the world grows smaller. Weaving together daring literary criticism with front-line reporting on events such as the end of the Cold War in Poland, the plight of indigenous cultures in Mexico and Guatemala and African reactions to the G8 Summit, Henighan evokes a world where astonishing cultural riches flourish under siege from all-consuming commercialized uniformity. Whether illustrating in irreverent detail the reasons for the popularity of Ian McEwans Atonement, providing ...
