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What Is a Classic?
What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Ankhi Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.
Unseen City
"Irigaray speculates of the elected audience of her essay that most of them will be unable to understand its title, meaning, history, or its full afterlife. The title, "The Poverty of Psychoanalysis," is referring, of course, to Karl Marx's The Poverty of Philosophy"--
Reading Other Peoples’ Texts
This volume draws together eleven essays by scholars of the Hebrew Bible, New Testament, Greco-Roman religion and early Judaism, to address the ways that conceptions of identity and otherness shape the interpretation of biblical and other religiously authoritative texts. The contributions explore how interpreters of scriptural texts regularly assume or assert an identification between their own communities and those described in the text, while ignoring the cultural, social, and religious differences between themselves and the text's earliest audiences. Comparing a range of examples, these essays address varying ways in which social identity has shaped the historical contexts, implied audiences, rhetorical shaping, redactional development, literary appropriation, and reception history of particular texts over time. Together, they open up new avenues for studying the relations between social identity, scriptural interpretation, and religious authority.
The Victorian Novel and the Problems of Marine Language
This book shows how prose writers in the Victorian period grappled with the sea as a setting, a shaper of plot and character, as a structuring motif, and as a source of metaphor.
Community Psychoanalysis
This book delves into the history, current status, and possible future directions of psychoanalysis in the community, outside the traditional consulting room. The book begins by digging into the individualistic origins of psychoanalysis and the clear definitions around what counts as psychoanalysis and what does not, even to this day. It also explores what has remained constant even as psychoanalysis has splintered into many schools of thought. Rather than rejecting individualistic thinking entirely, Altman investigates how a mix of individual- and community-focused work has been effective in various international settings and the role that the arts can play in informing psychoanalytic pract...
Charles Dickens's Great Expectations
Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.
Affect and Literature
Explores a wide range of affects, affect theory, and literature to consolidate a fresh understanding of literary affect.
Haunting and Displacement in African American Literature and Culture
Looking at texts including Jean Toomer's "Cane", Toni Morrison's "Beloved", James Baldwin's "Another Country", and 'Beat' poetry by Bob Kaufmann, this work describes the phenomena of haunting, displacement, and ghostliness as endemic to modern African American literature and culture.
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