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Tödlicher Nachrichten Terror
Terror in Berlin. Ein Thriller, der alle Gedankengrenzen deutlich erweitert; eine dubiose Wahrheit ist irgendwo verborgen. Die Familie Herzfelde gerät in den Strudel eines Komplotts, dessen Spuren weit in die Zeit des "Kalten Krieges" zurück gehen. Alte Stasiakten tauchen auf und beschreiben die Verbrechen einer westlichen Schattenarmee, deren Kontakte über eine Geheimloge in allerhöchste Kreise der Politik und Wirtschaft reichen. Kriminalkommissarin Többlin ermittelt, Geheimdienstler Schmidts beobachtet. Der krakenhafte Strudel der organisierten Kriminalität entblößt langsam den Schlund eines wahnsinnigen Geheimgurus. "Jeder weiß etwas, aber nicht jeder weiß alles," lautet einer d...
Wingolfsblätter
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Wprost
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Wingless Desire in Modernist Russia
In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.
Germans to America
Title of the first 10 volumes of the series is Germans to America : lists of passengers arriving at U.S. ports 1850-1855.
Optical Illusions
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Social Critique and Reader Response Criticism In Kazuo Ishiguro's "When We Were Orphans"
Essay from the year 2014 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, Johannes Gutenberg University Mainz, language: English, abstract: In Kazuo Ishiguro's "When We Were Orphans", the surfeit labelling of Christopher Banks as a Sherlock Holmes evokes reader expectations of the Holmesian genre and lets the reader judge Banks and his methods more critically in the light of Holmes. The novel though defies reader expectations in terms of any detective formula fiction it starts to set out – but exactly those expectations and the refusal of their completion that bind Banks and the reader together. Banks’s childhood view of what had happened to his parents m...
