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The head of the Guinness family tells the dramatic true story of how his ancestors created the largest brewery in the world. Growing up at Farmleigh, the country house outside Dublin, Arthur Edward Guinness – Ned for short – was fascinated by the secrets and legends that surrounded the early generations of his famous family of brewers. Against the backdrop of epic and convulsive times in Ireland and Britain, he explores the struggles and passions of his ancestors, who went from obscurity in Kildare to the pinnacle of Irish and British society. Each generation confronted new challenges until the dramatic events when the author's great-great-grandfather bought out his glamorous older broth...
A native of Halifax, Malcolm MacLeod has lived in Newfoundland since the 1970s. He is a past president of the Newfoundland Historical Society and a long time member of the History Department at Memorial University of Newfoundland. Crossroads Country is a collection of life stories from people who grew up in Newfoundland before confederation. It examines the various ties that Newfoundland experienced with Canada, the United States, and Great Britain. Stories of communities and friendships, kin networks and education in Newfoundland and abroad are woven into a tapestry of Newfoundland culture of the 1920s, 30s, and 40s.
"The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ's suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The essays collected in this book, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today's religiously pluralistic societies."--BOOK JACKET.
The author integrates, expands, and deepens his previous publications about irregular (or “metalinguistic”) negations. A total of ten distinct negatives—several previously unclassified—are analyzed. The logically irregular negations deny different implicatures of their root. All are partially non-compositional but completely conventional. The author argues that two of the irregular negative meanings are implicatures. The others are semantically rather than pragmatically ambiguous. Since their ambiguity is neither lexical nor structural, direct irregular negatives satisfy the standard definition of idioms as syntactically complex expressions whose meaning is non-compositional. Unlike stereotypical idioms, idiomatic negatives lack fixed syntactic forms and are highly compositional. The final chapter analyzes other “free form” idioms, including irregular interrogatives and comparatives, self-restricted verb phrases, numerical verb phrases, and transparent propositional attitude and speech act reports.
In the early summer of 1914, the headmaster of Brighton College, Canon W. R. Dawson, spoke to the school in chapel. He called on every boy present to stand ready to sacrifice his life in defence of his country. No shot had yet been fired in anger, Austria's Archduke still lived, few anticipated a European war, and yet Brighton's headmaster seemed to sense the approaching clouds of conflict. By November 1918, of the 280 boys in the Chapel that day, 149 of them lay dead, casualties of the Great War. Ten of them were still teenagers. This book presents mini biographies of the School's former students killed in the First World War and serves as a fitting tribute to their bravery and fortitude.
The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has ...
Neuroglia is now published as part of Brain Sciences with a new section Editor-in-Chief Prof. Sergey Kasparov.
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