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Barbie Magazine and the aesthetic commodification of girls' bodies (I.M. O'Sickey). This year's girl: a personal/critical history of Twiggy (L. B. DeLibero). A woman's two bodies: fashion magzines, consumerism and feminism (L.W. Rabine). No bumps, no excrescences: Amelia Earhart's failed flight into fashions (K. Jay). Sonia Rykiel in traslation (H. Cixous). From Celebration (S. Rykiel). Off the (W)rack: fashion and pain in the work of Diane Arbus (C. Shloss). An erotics of representation: fashioning the icon with Man Ray (M.A. Caws). Seduction and elegance: the new woman of fashion in silent cinema (M. Turim). Madonna, fashion and identity (D. Kellner). Fragments of a fashionable discourse (K. Silverman). Womenrecovering our clothes (I.M. Young). Fashion and the homospectatorial look (D. Fuss). Terrorist chic: style and domination in contemporary Ireland (C. Herr). Paris or perish : the plight of the latin american indian in a westernized world (B. Brodman). Tribalism in effect (A. Ross).
Barbara Brodman began writing this book nearly a half century ago and abandoned it to some far corner of her heart and mind until a confluence of life experiences and advancements in science made it viable as a work of science fiction. Incorporated herein are decades of research and teaching in disciplines as diverse as literature, art, and almost every area of the social sciences. However, it was not a lifetime of teaching and research that motivated this book as much as a desire to leave behind a fictionalized memoir of a family lineage the author feared would die with her passing. It also pays homage to the fine art of storytelling that has all but disappeared from modern culture, and it ...
Using an Ecogothic lens, this book offers a new conceptual framework for the werewolf in literature, recasting the lycanthrope as an emblem for society's fear of untamed wilderness. Tracing lycanthropy from a place of liminality to hybridity and to myriad and complex subjectivities, The Ecogothic Werewolf in Literature reassesses the Gothic werewolf to show how the relationship between humans and wolves has influenced its representation in literature. Starting with Dracula and tracing lycanthropic imaginings through natural histories, folk and fairy tales to contemporary iterations in the works of Maggie Stiefvater, Whitley Strieber and Glen Duncan, Kaja Franck reconsiders the trope of the 'beast within' in the werewolf canon. From early conservationist Aldo Leopold's awakening regarding the death of wolves, to George Monbiot's call to rewild, tensions around humanity's responsibility to the natural world have emerged in lycanthropic literature. A challenge to previous anthropocentric analysis of Gothic horror's stock monster, Franck considers the changing attitude towards wolves alongside the growing environmentalism movement and reclaims the wolf from the figure of the werewolf.
Virginity is of concern here, that is its utter messiness. At once valuable and detrimental, normative and deviant, undesirable and enviable. Virginity and its loss hold tremendous cultural significance. For many, female virginity is still a universally accepted condition, something that is somehow bound to the hymen, whereas male virginity is almost as elusive as the G-spot: we know it's there, it’s just we have a harder time finding it. Of course boys are virgins, queers are virgins, some people reclaim their virginities, and others reject virginity from the get go. So what if we agree to forget the hymen all together? Might we start to see the instability of terms like untouched, pure, ...
In Dining with Madmen: Fat, Food, and the Environment in 1980s Horror, author Thomas Fahy explores America’s preoccupation with body weight, processed foods, and pollution through the lens of horror. Conspicuous consumption may have communicated success in the eighties, but only if it did not become visible on the body. American society had come to view fatness as a horrifying transformation—it exposed the potential harm of junk food, gave life to the promises of workout and diet culture, and represented the country’s worst consumer impulses, inviting questions about the personal and environmental consequences of excess. While changing into a vampire or a zombie often represented wides...
This revised collection of articles from magazines, newspapers, books and journals expands the readers awareness and understanding of what dress is all about. The essays in The Meanings of Dress, 2nd Edition, illustrate essential topics, such as dress and sociology, cultural studies, gender, religion, modesty and technological changes. Design and merchandising students will gain insight into how and why consumers buy clothing and other products related to dress and will grasp ways to forecast future trends. The book serves all interdisciplinary and multidisciplinary course needs.
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