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Rice in Deep Water gives a detailed description of the complex agroecosystem and the growth and development of deepwater rice, a fascinating crop grown by subsistence farmers in the deltas and floodplains of Asia and West Africa flooding to depths of 2-3 metres. An account of the various cultural methods and socioeconomic conditions of the farmers is given, current research efforts to increase productivity discussed and research priorities suggested. The book is designed and profusely illustrated so as to emphasize the complexity and dynamic nature of plant and environment, an aspect so often poorly appreciated and misunderstood.
This book is a highly original study of transnationalism among immigrants from the county of Taishan, from which, until 1965, a high percentage of the Chinese in the United States originated. The author vividly depicts the continuing ties between Taishanese remaining in China and their kinsmen seeking their fortune in "Gold Mountain."
A heartbroken youth discovers the first woman, Maganda, in a garden; The youngest, most beautiful of ten siblings gets sold as a bride to a Tiq'Barang; A segment of the Filipino population suddenly transforms to look like American celebrities. The Philippine Speculative Fiction series features fantasy and horror, science fiction and slipstream, and various types of stories found across the genre spectrum.
This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans.
Literature Review from the year 2003 in the subject American Studies - Literature, grade: B, San Francisco State University (Ethnic Studies), course: AAS 833 Asian American Family and Identity, language: English, abstract: In his book Turning Japanese. Memoirs of a Sansei, David Mura writes about his one year long stay in Japan, the country of his ancestors. He talks about how this experience has changed his view on his own country, the United States, and Japan. He writes in a postmodernist way, juxtaposing fragments of text dating back to different points in time. Some were written during his actual stay in Japan, with several pieces looking back at his and his family’s past, and some wer...
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