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Winner of the 2006 Eudora Welty Prize Jean Toomer's Cane was advertised as “a book about Negroes by a Negro,” despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from Nig to Passing, because an editor felt the original title “might be too inflammatory.” In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in Native Son depicting Bigger Thomas masturbating. Toni Morrison changed the last word of Beloved at her editor's request and switched the title of Paradise from War to allay her publisher's marketing concerns. Although many editors place demands on their au...
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By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.
Cold cases are, by their very nature, historical and yet crime narrative non-fiction is almost always written by retired detectives, reporters and criminologists. While genealogy is beginning to be recognised as a viable tool, there is so much more that historians have to offer. The author is convinced that historians can bring a different skill-set to cold case investigations, taking her on a hunt for a serial killer. In the case of Scotland’s Bible John murders, she goes back to events that happened decades ago, with an engaging and captivating writing style that ranges from historical reconstruction to interviews and analyzing hundreds of documents from an endless bibliography. In the end, she offers a compelling and original theory. Jillian Bavin-Mizzi - BA (Hons 1st), Dip Ed., PhD is an Australian historian writing cold-case narrative non-fiction. She worked as a lecturer at Murdoch University for nearly ten years, publishing a number of academic works in the field of late-nineteenth-century sexual assault cases. Over time, she became increasingly interested in cold cases and published a first true-crime book, The Wanda Beach Murders, in 2021.
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A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions.
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