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Mary Elizabeth Braddon
An important figure in the development of crime fiction, Mary Elizabeth Braddon (1835-1915) wrote more than 80 novels, numerous plays, poems, essays and short stories, and edited two magazines during her 55-year literary career. Her bestselling Lady Audley's Secret secured her reputation as a leading "sensation novelist." Though critics called her work immoral, Braddon's novels influenced the detective fiction of the late Victorian period. With entries on all her published writing, characters, relationships and influences, and themes and contexts, as well as numerous illustrations, a career chronology, and a chronological and alphabetical listing of all of her works, this companion to Braddon's mystery fiction is the definitive reference on this provocative but overlooked writer.
Women and the Victorian Occult
Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to se...
Madness and the Loss of Identity in Nineteenth Century Fiction
An obsession with individual identity pervaded Western thinking in the nineteenth and early twentieth centuries. This critical study examines the concept of identity in the works of nineteenth century American and British authors, focusing especially on psychologically mad, vague, shifting and dualistic characterization. Authors examined include Ambrose Bierce, Henry James, Wilkie Collins, Robert Louis Stevenson, Charles Chesnutt, Lillie Devereux Blake, and Mary Elizabeth Braddon. The text discusses how each author was influenced by contemporary events (such as the American Civil War, slavery, the Second Great Awakening, and the beginnings of modern psychology), how those experiences shaped contemporary intellectual thought regarding identity, and how the resulting concern with personal identity was manifested in literary characters who were either in search of or running from themselves.
The Athenaeum
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