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The Literature of Spiritual Values and Catholic Fiction
This book is a complete collection of Mariella Gable's essays on Catholic fiction. Her pioneering definition of Catholic fiction has broadened over the years, beginning in the 1940s. Not only do her essays speak to the history of American Catholicism but she also writes about such significant authors as J.F. Powers, Flannery O'Connor, Graham Greene, J.D. Salinger, John Updike and others. She also discusses Christian satirists, such as Orwell, Huxley, Amis and Spark, and the concept of work in Dante and Teihard de Chardin. Students and scholars of the literature of values and historians of American Catholicism will find this a useful work.
Testing the Faith
Since 1965 there has been an explosion of fiction about being Catholic, clearly a result of confusions in the post-Vatican II church. American Catholic culture has suffered severe dislocations, and fiction has provided one way of coping with those dislocations. In Testing the Faith, Anita Gandolfo provides an overview of fiction about the American Catholic experience. The book considers emerging novelists such as Mary Gordon and Valerie Sayers and established writers like Paul Theroux. Among the popular writers covered are Andrew Greeley and William X. Keinzle. The volume also considers the emergence of new, young writers, such as Jeanne Schinto, Sheila O'Connor, and Philip Deaver. By analyzing patterns in contemporary Catholic fiction, Gandolfo shows both the shared interest these writers have in the Catholic experience and their individual perspectives on that experience. The book is the first to consider post-Vatican II Catholic literature, and will be of interest to those concerned with both the Catholic experience and current literature.
The Oxford History of British and Irish Catholicism, Volume IV
The fourth volume of Oxford History of British and Irish Catholicism provides an overview of the history of Catholicism in the four nations of the United Kingdom of Britain and Ireland between 1830 and 1913, and demonstrates how Catholics in both islands participated in national, European, and global cultures.
The Modern Catholic Novel in Europe
The traditional Catholic novel, Fraser argues, was built on a set of deeply held religious convictions: that there was a "hidden God" as identified by Pascal, and that this God pursued the erring soul ("The Hound of Heaven" in Francis Thompson's metaphor); that there was an essential, Augustinian antagonism between flesh and spirit; that the suffering of one individual, however unjust, could serve the purpose, in the divine economy, of redeeming the soul of another; and that the Catholic world of sign and symbol reflects another, invisible reality.
New Catholic World
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Faithful Passages
Roman Catholic writers in colonial America played only a minority role in debates about religion, politics, morality, national identity, and literary culture. However, the commercial print revolution of the nineteenth century, combined with the arrival of many European Catholic immigrants, provided a vibrant evangelical nexus in which Roman Catholic print discourse would thrive among a tightly knit circle of American writers and readers. James Emmett Ryan’s pathbreaking study follows the careers of important nineteenth-century religionists including Orestes Brownson, Isaac Hecker, Anna Hanson Dorsey, and Cardinal James Gibbons, tracing the distinctive literature that they created during th...
The Cambridge Companion to the Irish Novel
The Irish novel has had a distinguished history. It spans such diverse authors as James Joyce, George Moore, Maria Edgeworth, Bram Stoker, Flann O'Brien, Samuel Beckett, Lady Morgan, John Banville, and others. Yet it has until now received less critical attention than Irish poetry and drama. This volume covers three hundred years of Irish achievement in fiction, with essays on key genres, themes, and authors. It provides critiques of individual works, accounts of important novelists, and histories of sub-genres and allied narrative forms, establishing significant social and political contexts for dozens of novels. The varied perspectives and emphases by more than a dozen critics and literary historians ensure that the Irish novel receives due tribute for its colour, variety and linguistic verve. Each chapter features recommended further reading. This is the perfect overview for students of the Irish novel from the romances of the seventeenth century to the present day.
Faithful Fictions
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