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This book is a selection of essays covering aspects of the history, and contemporary understanding of the fields of art and design and their inter-percolation. Making things has always involved skill and thought. Thought is given to their creation so they are fit for purpose. Where the purpose is aesthetic or intellectual pleasure, the resulting object is often called art. There is, however, often a hierarchy placing “art” somewhere apart from “design.” But isn’t some art designed? These essays investigate aspects of this dichotomy – from both sides of the supposed divide to discuss the ground between.
Allen Curnow (1911–2001) was at the time of his death regarded as one of the greatest of all poets writing in English. For seventy years, from Valley of Decision (1933) to The Bells of Saint Babel's (2001), Curnow's poetry was always on the move – from his early approaches to New Zealand identity and myth to later work concerned with the philosophical encounter between word and world. Curnow also played a major role in New Zealand life as editor, critic, commentator and anthologist, as well as a much-loved writer of light verse under the penname of Whim Wham. In his later years he acquired an impressive international reputation, winning the Commonwealth Prize for Poetry and the Queen's Gold Medal for Poetry. Throughout his lifetime, Allen Curnow revised, selected and collected his poetry in various ways. For the first time, this collection brings together all of the poems that Curnow collected in his lifetime grouped in their original volumes. The notes reproduce Curnow's comments on individual poems and include relevant editorial guidance. This is the definitive collection of work by New Zealand's most distinguished poet.