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The pigeon is the quintessential city bird. Domesticated thousands of years ago as a messenger and a source of food, its presence on our sidewalks is so common that people consider the bird a nuisance—if they notice it at all. Yet pigeons are also kept for pleasure, sport, and profit by people all over the world, from the “pigeon wars” waged by breeding enthusiasts in the skies over Brooklyn to the Million Dollar Pigeon Race held every year in South Africa. Drawing on more than three years of fieldwork across three continents, Colin Jerolmack traces our complex and often contradictory relationship with these versatile animals in public spaces such as Venice’s Piazza San Marco and London’s Trafalgar Square and in working-class and immigrant communities of pigeon breeders in New York and Berlin. By exploring what he calls “the social experience of animals,” Jerolmack shows how our interactions with pigeons offer surprising insights into city life, community, culture, and politics. Theoretically understated and accessible to interested readers of all stripes, The Global Pigeon is one of the best and most original ethnographies to be published in decades.
How does culture shape our thinking? In what ways do our social and cultural worlds enter into our mental worlds? How do the communities we belong to influence what we notice and what we ignore? What cultural variation do we see in cognition? What general patterns do we see across this diversity and variation? In this lively and engaging book, Wayne H. Brekhus shows us the many ways that culture influences our cognitive thought processes. Drawing on a wide range of fascinating examples, such as how members of different subcultures perceive danger and safety, how cultures variably classify and perceptually weight race, how social actors use and present identity as a strategic resource, and how people across different organizational settings experience time, Brekhus takes us on a creative, diverse, and insightful tour of the sociocultural character of cognition. Culture and Cognition: Patterns in the Social Construction of Reality offers an invaluable survey of a wide-ranging body of research in the sociology of culture and cognition that will be an inviting resource for upper-level undergraduates, graduate students, and established research scholars alike.
A writing guide designed for upper-level sociology undergraduate students and graduate students, this instructional text introduces students to the variety of writing projects that sociologists undertake, while also providing instruction on grammar and composition. It will provide students with practical knowledge concerning topics such as: peer reviewed journal manuscripts, book reviews, grant proposals, and field notes. What makes this book unique is that it offers useful advice and instruction for sociology college students whether they plan on entering the academy or the private, non-profit, or government sectors. Writing for Emerging Sociologists uses writing as a tool to help students learn not only about sociology as a field of study, but also the practice of sociology.
John Hannigan’s definitive textbook offers a distinctive, balanced coverage of environmental issues, policies and action. This revised fourth edition has been expanded and fully updated to explore contemporary developments and issues within global environmental sociology. Environmental Sociology reconciles Hannigan’s widely cited model of the social construction of environmental problems and controversies, which states that incipient environmental issues must be identified, researched, promoted and persuasively argued in the form of "claims", with an environmental justice perspective that stresses inequality and threats to local communities. For example, this new edition explores the int...
Urban ethnography is the firsthand study of city life by investigators who immerse themselves in the worlds of the people about whom they write. Since its inception in the early twentieth century, this great tradition has helped define how we think about cities and city dwellers. The past few decades have seen an extraordinary revival in the field, as scholars and the public at large grapple with the increasingly complex and pressing issues that affect the ever-changing American city-from poverty to the immigrant experience, the changing nature of social bonds to mass incarceration, hyper-segregation to gentrification. As both a method of research and a form of literature, urban ethnography ...
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.
Vermin—rats, cockroaches, pigeons, mosquitoes, and other pests—are, to most people, objects of disgust. And vermin metaphors, likening human beings to these loathed creatures, appear in the ugliest forms of political rhetoric. Indeed, vermin imagery has often been used to denigrate poor, foreign, or racialized people. Yet many writers have reclaimed vermin, giving new meaning to creeping rodents, swarming insects, and wriggling worms. Notes on Vermin is an atlas of the literary vermin that appear in modern and contemporary literature, from Franz Kafka’s gigantic insect to Richard Wright’s city rats to Namwali Serpell’s storytelling mosquitoes. As parasites, trespassers, and collectives, vermin animals prove useful to writers who seek to represent life in the margins of power. Drawing on psychoanalysis, cultural studies, eco-Marxism, and biopolitics, this book explores four uses for literary vermin: as figures for the repressed thought, the uncommitted fugitive, the freeloading parasite, and the surplus life. In a series of short, accessible, interlinked essays, Notes on Vermin explores what animal pests can show us about our cultures, our environments, and ourselves.
A general critique of sociology, particularly sociology in the United States, from a critical realist perspective.
A close-up look at the contradictions and wonders of the modern zoo Orangutans swing from Kevlar-lined fire hoses. Giraffes feast on celebratory birthday cakes topped with carrots instead of candles. Hi-tech dinosaur robots growl among steel trees, while owls watch animated cartoons on old television sets. In American Zoo, sociologist David Grazian takes us on a safari through the contemporary zoo, alive with its many contradictions and strange wonders. Trading in his tweed jacket for a zoo uniform and a pair of muddy work boots, Grazian introduces us to zookeepers and animal rights activists, parents and toddlers, and the other human primates that make up the zoo's social world. He shows th...
For thousands of years, humans have categorized animals as either domestic or wild. And yet, around the world, a more nuanced relationship exists, that of commensal animals, species that have adapted to our homes, our towns, and our artificial landscapes, finding ways to gain benefit from our activities and so becoming an important part of our everyday lives. A fascinating investigation, this text draws on archaeological records to explore human-animal relations.