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The Politics of Princely Entertainment
Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions. Musical events like operas and carnival parades were an especially essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored. At the time, profound social and cultural transformations influenced the production and consumption of music in radical and permanent ways, not least through the influence of the Colonna family - Prince Lorenzo Onofrio Colonna and ...
Young Choristers, 650-1700
"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.
Voice Machines
An exploration of the castrato as a critical provocation to explore the relationships between sound, music, voice instrument, and machine. Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted...
Charisma and Religious Authority
This volume of essays concentrates on the effects of preaching in late medieval and early modern Europe, particularly through the concept of charisma, a term introduced into the discussion of religion and politics by Max Weber. Used by Weber, the term indicates the power of a person to move others to action, to animate and mobilize them. The late medieval and early modern periods witnessed the emergence of preachers who became powerful public figures central to the mobilization of populations towards religious reform or crusades. Such preachers were also enmeshed in civic life and the life of courts. Super-preachers like Bernardino of Siena and John of Capistrano shaped opinion on a wide ran...
Rediscovering the Muses
This pioneering collection of essays by musicologists, ethnographers, classicists, and historians describes the lost and marginalized musical traditions of women of both non-Western and Western cultures.
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