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Racial Theories in Fascist Italy
Racial Theories in Fascist Italy examines the role played by race and racism in the development of Italian identity during the fascist period. The book examines the struggle between Mussolini, the fascist hierarchy, scientists and others in formulating a racial persona that would gain wide acceptance in Italy. This book will be of interest to historians, political scientists concerned with the development of fascism and scholars of race and racism.
Manin and the Venetian Revolution of 1848
Daniele Manin (13 May 1804 ? 22 September 1857) was a venetian patriot and statesman from Venice. He is considered by many Italian historians a hero of Italian unification (Risorgimento)....The 1848 revolutions in the Italian states were organized revolts in the states of Italy led by intellectuals and agitators who desired a liberal government. As Italian nationalists they sought to eliminate reactionary Austrian control. During this time period, Italy was not a unified country, and was divided into many states, which, in Northern Italy, were ruled by the Austrian Empire. A desire to be free from foreign rule, and the conservative leadership of the Austrians, led the Italian people to stage revolution in order to drive out the Austrians. The revolution was led by the state of Piedmont, one of the four states where the Austrian leaders were forced to grant liberal rights. Also, the uprisings in the Kingdom of Lombardy?Venetia, particularly in Milan, forced the Austrian General Radetsky to retreat to the Quadrilatero fortresses."--Wikipedia.
La Biennale di Venezia
La Biennale di Venezia gilt neben der documenta in Kassel als eine der wichtigsten Institutionen der internationalen Kunstwelt. Jan May untersucht in seiner Arbeit die Bedeutung der Internationalen Kunstausstellung, der Internationalen Filmkunstschau und der zahlreichen anderen kulturellen Aktivitäten der Biennale von den Anfängen Ende des 19. Jahrhunderts bis in die 1940er Jahre. Er analysiert ihre Funktion als Instrument der städtischen und später staatlichen Kulturpolitik und ordnet die Biennale in das internationale Ausstellungs- und Festivalwesen ein. Chronologisch führt der Autor durch die Geschichte der 1895 als kleine Kunstausstellung gestarteten Ausstellungsreihe, die mit der Ã...
