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A murdered prostitute. An obvious suspect. Clear evidence. For once, Jericho Crewe has a straightforward crime to investigate, and Wade Granger isn't involved. It all seems so simple, but Jericho's instincts won't let him rest. As he investigates, he finds troubling suggestions that the murder is a part of something larger and more sinister. But working within the boundaries of the law may keep him from finding the truth. If Jericho doesn't break the rules, an innocent man may rot in jail while a killer remains free to strike again. Inevitably, it all comes back to Wade. Because who else knows as much about breaking rules? And who else knows Jericho the way Wade does--not wisely, but far, far too well?
This book examines German feature films and television series centered around the figure of the computer hacker as a hero, introducing the German hacker genre to the ongoing scholarly discussion of genre in German cinema. William Mahan argues that the genre reflects a history of youth resistance, a complex political landscape, and an obsession with Datenschutz (data protection) in the German context to make the hacker an archetypal character with both national and global cultural appeal. Ultimately, Mahan posits, the continued prevalence of the hacker over the last twenty-five years suggests that while remaining relevant, the figure has also evolved and become dynamic in connection to developing technologies. Scholars of film studies, German studies, and cultural studies will find this book of particular interest.
Examines the nation's first widely publicized case involving the concept of clergy malpractice and the questions it raised regarding separation of church and state, free exercise of religion, and state regulation of non-professional counseling.
The French Kiss Killer has returnedand has his next target in sight... Detective Hunter Bergeron has two goals: find the French Kiss Killer and keep Helena Cosworth from becoming his next victim. Hunter and Helena share a past, and close proximity now only reignites their attraction. But with New Orleans on high alert, giving in to old feelings is a distraction neither can afford. Especially in the darkest corners of the Quarter.