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This book, originally published in 1986, analyses and describes the significance of cultural relations in international affairs. It traces the beginnings of cultural relations in the 19th century and their evolution. Consideration is given to the nature and organization of global ‘cultural diplomacy’, with a particular focus on France, Germany, Italy, Japan and the USA. This book will be of interest to students in international affairs and modern history, but also to those working in government departments and agencies.
This book examines the China Cultural Centre (CCC) project’s establishment, operation, and programming through the lens of cultural diplomacy. The work illuminates the main structural and operational characteristics of the CCC project by highlighting their similarities and differences compared to other cultural diplomacy initiatives, especially the Confucius Institutes (CIs). It also provides insights on its working modes and associated activities, primarily based on the case of the CCC in Australia, supplemented by information from other CCCs. Furthermore, it sheds light on the implications for the CCC project, expanding current discussions about Chinese cultural diplomacy. The book holds that the operation and programming of CCCs reflect common views of Chinese cultural diplomacy—strategically orientated, state-led, and quantity-driven—while also highlighting the inclusion of foreign collaborators and a bottom-up strategy for facilitating engagement and understanding. This book will be of much interest to students of diplomacy studies, public diplomacy, foreign policy, Chinese politics, and international relations.
This book investigates Italian foreign cultural policy from the 1947 Constitution to the present. How has Italy conveyed its language and culture to the outside world? Where does the Italian experience fit into a wider international context? Finally, what can be learned from the answers to such questions in relation to the Italian experience in Australia?
A report on a tour of the principal capitals of South America by a party of university men under the auspices of the American Association for International Conciliation.
With the end of the Cold War and the subsequent new regional alignments, American foreign policy and influence in the Asia-Pacific region face a major turning point. In this book ten North American specialists from various disciplines reconceptualize the forces shaping the New Pacific Community: international politics as a by-product of peaceful cooperation; the changing role of the military; the political economy as a determinant of human rights; environmental and demographic issues; and culture as an evolutionary and dynamic phenomenon in the lives of new immigrants as they make their way in American society.
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Cultural governance is currently regarded as a transversal element of public policy in Europe. This book brings together academics and policy practitioners to provide new insights into the field, exploring its contemporary dynamics, dilemmas and challenges. In light of the Cyprus Presidency in 2026, the authors reflect on the breadth and boundaries of cultural governance in a European perspective, the role of international institutions, such as UNESCO and the EU, and the frameworks and dilemmas of cultural governance as a dedicated practice. Particular attention is given to the relationship between culture and human creativity, to cultural rights and to climate breakdown, placing cultural governance at the heart of integrated public policy. As a key contribution that enriches the field of cultural policy, this book is essential reading for academics and offers guidance for concerted action for policymakers and legislators.
This book contributes to bridge the gap between different scholarly communities interested in the entanglements of culture and politics in the international arena. It sheds light on existing connections in their parallel evolution with a thorough literature review, complemented by several case studies showing the fruitful character of their interdisciplinary mobilisation. Through the notions of cultural relations, intellectual cooperation and cultural diplomacy, the book draws on a soft power perspective to offer a shared, novel, and interdisciplinary theoretical framework to approach cultural institutions and organisations that have been previously examined as isolated objects: for example, cultural institutes, international organisations, literary magazines, and literary contests. The interdisciplinary nature of this volume justifies the relevance of its content for scholars working in the history of international relations, international cultural relations and intellectual history, comparative literature, sociology of literature and global literary studies.
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