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Exploring the works of key women writers within their cultural, artistic and socio-political contexts, this book considers changes in the perception of women in early modern China. The sixteenth century brought rapid developments in technology, commerce and the publishing industry that saw women emerging in new roles as both consumers and producers of culture. This book examines the place of women in the cultural elite and in society more generally, reconstructing examples of particular women’s personal experiences, and retracing the changing roles of women from the late Ming to the early Qing era (1580-1700). Providing rich detail of exceptionally fine, interesting and engaging literary works, this book opens fascinating new windows onto the lives, dreams, nightmares, anxieties and desires of the authors and the world out of which they emerged.
This groundbreaking volume opens a new window on both modern and traditional Chinese literature, history and popular culture, demonstrating how a new style of reading brings us—the modern reader—closer to understanding how Chinese citizens perceived their world and what their writings reveal about the culture that produced them. Following the pioneering work of Professor Glen Dudbridge, this book brings together eight studies that develop a new style of reading Chinese sources by exploring the dynamics of discourse across open boundaries: those of fiction and history, literary and non-literary sources, official and vernacular culture, prose and poetry, records past and present, lost and extant, vernacular and classical, traditional and modern. Each chapter discusses how authors, editors and publishers use representation, editing and selection as means of self-fashioning and political propaganda.
This essential reference work provides an alphabetic listing, with an extensive index, of studies on women in China from earliest times to the present day written in Western languages, primarily English, French, German, and Italian. Containing more than 2500 citations of books, chapters in books, and articles, especially those published in the last thirty years, and more than 100 titles of doctoral dissertations and Masters theses, it covers works written in the disciplines of anthropology and sociology; art and archaeology; demography; economics; education; fashion; film and media studies; history; interdisciplinary studies; law; literature; music; medicine, science, and technology; political science; and religion and philosophy. It also contains many citations of studies of women in Hong Kong and Taiwan.
This monograph offers a detailed consideration of the five-volume novel written by Cao Xueqin and translated into English as The Story of the Stone, when read through William Shakespeare’s drama Hamlet, Prince of Denmark, A Tragedy in Five Acts. The book builds on the superlative David Hawkes/John Minford English language translation, which is inspired by resonances between the English Shakespearean literary heritage and the dynasties-old Chinese literary tradition inherited by Cao Xueqin. The Introduction sets out the potential for the significant cultural exchange between these two great literary works, each an inexhaustible inspiration of artistic and scholarly re-interpretation. Two ch...
Téma kontinuity a změn v Asii je obecně přijímané jako důležitý a složitý problém. Asie je považována za jednu z nejdynamičtěji se rozvíjejících částí světa. Rychlé proměny Asijských ekonomických, politických a sociálních či kulturních systémů poskytují řadu námětů ke zkoumání v takových oblastech, jako je antropologie, etnografie, lingvistika a literární studia, či v takových vědních oborech, jako jsou sociální, politická a ekonomická studia. Obzvláště po několika letech opatření proti šíření Covid-19 je důležité porozumět tomu, co zůstalo stejné, či co se mohlo změnit a být navždy ztraceno. The theme of ‘continuity a...
Richard Wang's Ming Erotic Novellas is path breaking in its attention to a virtually ignored body of literature that certainly influenced the writing of the Jin Ping Mei, the Sanyan vernacular stories, and most likely Li Yu's fiction. Compared to other titles in the field, this is the first scholarly monograph in any language to contextualize the erotic novellas of late imperial China. Moreover, existing studies in this area have tended to concentrate on a limited number of works of Chinese erotic fiction, or have only brushed up against these works tangentially during more general discussion of Ming and Qing literature. Ming Erotic Novellas adopts a provocative approach to fiction, moving b...
This book explores the material and cultural history of the Ming Dynasty based on the Chinese magnum opus Xingshi Yinyuan Zhuan (literally, The Story of a Marital Fate to Awaken the World), written under the pseudonym of the seventeenth-century writer Xizhou Sheng. The novel weaves into its narrative, through the characters' personalities and the events it illustrates, important details of Ming material life. Through the literary snapshot of the Ming material culture as reflected in Xingshi Yinyuan Zhuan, this work investigates the practices and customs of clothing, food, and travel, three of the "four major concerns of the people's livelihoods," known as yishizhuxing in Chinese. While frequ...
Since the 1990s, Chinese literary enthusiasts have explored new spaces for creative expression online, giving rise to a modern genre that has transformed Chinese culture and society. Ranging from the self-consciously avant-garde to the pornographic, web-based writing has introduced innovative forms, themes, and practices into Chinese literature and its aesthetic traditions. Conducting the first comprehensive survey in English of this phenomenon, Michel Hockx describes in detail the types of Chinese literature taking shape right now online and their novel aesthetic, political, and ideological challenges. Offering a unique portal into postsocialist Chinese culture, he presents a complex portra...
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