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David Astor
Few newspaper editors are remembered beyond their lifetimes, but David Astor of the Observer is a great exception to the rule. He converted a staid, Conservative-supporting Sunday paper into essential reading, admired and envied for the quality of its writers and for its trenchant but fair-minded views. Astor grew up at Cliveden, the country house on the Thames which his grandfather had bought when he turned his back on New York, the source of the family fortune. His liberal-minded father was a constant support, but his relations with his mother, Nancy, were always embattled. At Oxford he suffered the first of the bouts of depression that were to blight his life; a lost soul for much of the Thirties, he became involved in attempts to put the British Government in touch with the German opposition in the months leading up to the war. George Orwell had urged Astor to champion the decolonisation of Africa, and Nelson Mandela always acknowledged how much he owed to the Observer’s long-standing support. A generous benefactor to good causes, he helped to set up Amnesty International and Index on Censorship. A good man and a great editor, he deserves to be better remembered.
Spirituality, Corporate Culture, and American Business
By the early twenty-first century, Americans had embraced a holistic vision of work, that one's job should be imbued with meaning and purpose, that business should serve not only stockholders but also the common good, and that, for many, should attend to the “spiritual” health of individuals and society alike. While many voices celebrate efforts to introduce “spirituality in the workplace” as a recent innovation that holds the potential to positively transform business and the American workplace, James Dennis LoRusso argues that workplace spirituality is in fact more closely aligned with neoliberal ideologies that serve the interests of private wealth and undermine the power of worki...
The City Record
None
A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525-1725
"The still life is one of the best-loved subjects in painting. For hundred years it has been depicted by great and minor masters. The genre reached its climax in the Dutch Golden Age. This handy dictionary provides information on painters of still life in oils, active between 1525 and 1725 and considered as Dutch/Flemish school. 'Still lifes' are arrangements of flowers, fruit, fish, barn, plants, game, vanitas symbols, trompe l'oeil etcetera." --Back cover.
National Union Catalog
Includes entries for maps and atlases.
