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The Color of Modernism
One of the most enduring and pervasive myths about modernist architecture is that it was white-pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism's most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany se...
The Transparent State
Do open societies need transparent architecture? Does transparent architecture help make an open society? This book examines German culture's on-going relationship with Transparency, a relationship which culminates in the new Reichstag building.
The Break with the Past
Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.
Single People and Mass Housing in Germany, 1850–1930
The first complete study of single-person mass housing in Germany and the pivotal role this class- and gender- specific building type has played for over eighty years.
Modernist Aesthetics in Transition
How did German aesthetic values change during the Weimar Republic and after its immediate collapse at the beginning of the National Socialist period? Contrary to conventional narratives that depict modernist aesthetics as static, shaping principles of modern art and design, this volume argues for their complexity and ever-shifting nature. Illuminating the vital exchanges that occurred across multiple art forms during a period of unmatched cultural activity, this multi-disciplinary volume explores the cultural transition between Weimar- and National Socialist-era Germany and offers a fresh perspective on the fate of modernism during a time of censorship and social stigma. Featuring essays on ...
How to Make the Body
How to Make the Body: Difference, Identity, and Embodiment brings together contemporary and historical readings of the body, exploring the insights and limits of established and emerging theories of difference, identity, and embodiment in a variety of German contexts. The engaging contributions to this volume utilize and challenge cutting-edge approaches to scholarship on the body by putting these approaches in direct conversation with canonical texts and objects, as well as with lesser-known yet provocative emerging forms. To these ends, the chapter authors investigate “the body” through detailed studies across a wide variety of disciplines and modes of expression: from advertising, aesthetics, and pornography, to social media, scientific experimentation, and transnational cultural forms. Thus, this volume showcases the ways in which the body as such cannot be taken for granted and surmises that the body continues to undergo constant--and potentially disruptive--diversification and transformation.
Making Houston Modern
Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only thro...
Urban Energy Transition
Urban Energy Transition, second edition, is the definitive science and practice-based compendium of energy transformations in the global urban system. This volume is a timely and rich resource for all, as citizens, companies and their communities, from remote villages to megacities and metropolitan regions, rapidly move away from fossil fuel and nuclear power, to renewable energy as civic infrastructure investment, source of revenue and prosperity, and existential resilience strategy. - Covers technical, financial, systems, urban planning and design, landscape, mapping and modelling, and sociological issues related to urban renewable energy transformations - Presents city-wide renewable ener...
The Break with the Past
Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important. The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun. This is a valuable resource for academics and students in the areas of art and architecture history, German history and Cultural Studies, European Culture and Modernism.
Herbert Bayer, Graphic Designer
Herbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States. This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and László Moholy-Nagy, follows Bayer th...
