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An indispensable reference for the study of Australian literature.
Since its publication in 1903, Joseph Furphy’s Such is Life has become established as an Australian classic. But which version of the novel is the authoritative text, and what does its history reveal about Australian cultural life? From Furphy’s handwritten manuscript through numerous editions, a controversial abridgement for the British market (condemned by A.D. Hope as a “mutilation”), and periods of obscurity and rediscovery, the text has been reshaped and repackaged by many hands. Furphy’s first editors at the Bulletin diluted his socialist message and “corrected” his Australian slang to create a more marketable book. Later, literary players including Vance and Nettie Palmer, Miles Franklin, Kate Baker and Angus & Robertson all took an interest in how Furphy’s work should be published. In a fascinating piece of literary detective work, Osborne traces the book’s journey and shows how economic and cultural forces helped to shape the novel we read today.
The Englishness of English literature had been expressed in Chaucer, Shakespeare, Wordsworth and Sir Walter Scott, those writers whose works seemed best to embody the spirit of the place or the spirit of its folk. In what writers or works would the Australianness of Australian literature be discovered? (David Carter 1997)--------This first literary Reader on Australian studies from India not only investigates this central question but explores many other facets of Australian literature and especially Australian cross-cultural relationships with India and Asia. Taking a broad view of what Australian literature is, this Reader explores the dimensions of Australian literature (national, Aborigi...
The sixteen original essays by scholars from around the world examine concerns common to writers who experience marginalization based upon their inescapable identification with two or more cultures. From Australian aboriginal and Maori, to Irish, Maghrebian, and South African, and on to the rich ethnic mix in North America, the book considers fiction, poetry, autobiography, and anthropological reportage to raise questions as determinative as one's choice of language, one's presentation of self in society, one's "recovery" of a history. This collection serves as a bridge between recent Eurocentric postmodern discourse dealing with the breakdown of the modernist stability in art, architecture,...
The objective of this project is to encourage new ways of thinking about the meaning and significance of space. It follows a desire that has been expressed and theorized by Henri Lefebvre - and by extension Edward W. Soja - to remove Spatiality from the margin of the "Trialectics of Being" and to bring it into the "Trialectics' fold" alongside with - and of at least equal significance to - Historicality and Sociality. The thesis focuses on how space of the Pilbara region in Western Australia is produced in contemporary Australian writing, film, art and through "lived experience". The thesis argues for an understanding of space as essentially dynamic.
Nine plays for radio, written and broadcast between 1975 and 1992. Only one ('Woman in a Lampshade') has been previously published. Edited and with a long explanatory introduction by Delys Bird.
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Collection of papers which address problems of the perception and representation of pluralism in Australian literature and the impact of pluralism on cultural awareness in Australia; paper by Xavier Pons annotated separately.