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'Shanzhai' from Cantonese slang, refers to the production of fake goods in China, which enjoy an anti-authoritarian-like dissemination across the global market. Starting with mobile phones, now fashion brands are subverted in this way, with many women at the helm of design and production. Fashioning China looks at the women designers simultaneously subverting and reinforcing the nationalist-developmentalist, masculinist and technocratic dream of brands that are 'Made in China'. Broadening the digital labour debate beyond typical masculine and techno-utopic readings, Sara Liao studies the precarious practices of women trying to create sustainable and creative lives, vividly illustrating a fashion culture that exists online as a significant part of the digital economy. Drawing on material from interviews, participant observation, archives, policy documents, films and advertisements, Liao takes a multi-disciplinary approach to the topic, charting out the politics of intellectual property rights, globalisation, technocracy, patriarchy and nationalism in a non-Western context.
From ISIS propaganda videos to popular regime-backed TV series and digital activism, the Syrian conflict has been dramatically affected by the production of media, at the same time generating in its turn an impressive visual culture. Yet what are the aesthetic, political and material implications of the collusion between the production of this sheer amount of visual media being continuously shared and re-manipulated on the Internet, and the performance of the conflict on the ground? This ethnography uses the Syrian case to reflect more broadly on how the networked age reshapes contemporary warfare and impacts on the enactment of violence through images and on images. In stark contrast to the techno-utopias celebrating digital democracy and participatory cultures, Donatella Della Ratta’s analysis exposes the dark side of online practices, where visual regimes of representation and media production dramatically intertwine with modes of destruction and the performance of violence. Exploring the most socially-mediated conflict of contemporary times, the book offers a fascinating insight into the transformation of warfare and life in the age of the internet.
Artificial Intelligence (AI) has seen major advances in recent years. While machines were always central to the Marxist analysis of capitalism, AI is a new kind of machine that Marx could not have anticipated. Contemporary machine-learning AI allows machines to increasingly approach human capacities for perception and reasoning in narrow domains. This book explores the relationship between Marxist theory and AI through the lenses of different theoretical concepts, including surplus-value, labour, the general conditions of production, class composition and surplus population. It argues against left accelerationism and post-Operaismo thinkers, asserting that a deeper analysis of AI produces a more complex and disturbing picture of capitalism's future than has previously been identified. Inhuman Power argues that on its current trajectory, AI represents an ultimate weapon for capital. It will render humanity obsolete or turn it into a species of transhumans working for a wage until the heat death of the universe; a fate that is only avoidable by communist revolution.
We are in the middle of a 'desirevolution' - a fundamental and political transformation of the way we desire as human beings. Perhaps as always, new technologies - with their associated and inherited political biases - are organising and mapping the future. What we don’t seem to notice is that the primary way in which our lives are being transformed is through the manipulation and control of desire itself. Our very impulses, drives and urges are 'gamified' to suit particular economic and political agendas, changing the way we relate to everything from lovers and friends to food and politicians. Digital technologies are transforming the subject at the deepest level of desire – re-mapping its libidinal economy - in ways never before imagined possible. From sexbots to smart condoms, fitbits to VR simulators and AI to dating algorithms, the 'love industries' are at the heart of the future smart city and the social fabric of everyday life. This book considers these emergent technologies and what they mean for the future of love, desire, work and capitalism.
What impact does our relentless fixation on gadgets have on the struggle for new kinds of solidarity, political articulation and intelligence? In this groundbreaking study, Joss Hands explores the new political and social forces that are emerging in the age of social media. Gadget Consciousness examines the transformation of our consciousness as a historical political force in two senses: as individual consciousness - in terms of sentience and will - and also as class consciousness. Exploring a range of manifestations in the digital commons, he investigates what forms digital solidarity can take, and asks whether we can learn from the communisms of the past and how might solidarity be manifested in the future? Today, the ubiquity of networked gadgets offers exciting new opportunities for social and political change, but also significant dangers of alienation and stupefaction.
Sadness is now a design problem. The highs and lows of melancholy are coded into social media platforms. After all the clicking, browsing, swiping and liking, all we are left with is the flat and empty aftermath of time lost to the app. Sad by Design offers a critical analysis of the growing social media controversies such as fake news, toxic viral memes and online addiction. The failed search for a grand design has resulted in depoliticised internet studies unable to generate either radical critique or a search for alternatives. Geert Lovink calls for us to embrace the engineered intimacy of social media, messenger apps and selfies, because boredom is the first stage of overcoming 'platform nihilism'. Then, after the haze, we can organise to disrupt the data extraction industries at their core.
As seen in The Times, Sunday Times, Spectator, and on Tonight with Andrew Marr (LBC) Join journalist Ian Williams as he examines China like never before. He begins with the extraordinary rise of the Chinese surveillance state, how information is controlled and how it affects the population, before moving his gaze outward to examine China's aggressive foreign policy in relation to Taiwan and the wider world. Thought-provoking and alarming, these books are crucial to understanding China as a nation and global competitor. Ian Williams brings his years of expertise as a foreign correspondent to bear, having reported on China across the last 25 years, providing unmatched insight into a country that many do not fully understand. Titles included in this eBook bundle are: Every Breath You Take The Fire of the Dragon
'one of the year's most exciting releases' - The Herald China is building the world's first digital totalitarian state, a system of hitherto unimaginable social and political control. Internet freedom has been eliminated and ubiquitous surveillance cameras employ the latest facial recognition technology. Through flagrant cyber espionage, it has plundered Western technology on a massive scale, bullied Western tech companies and academics (though many have been willing accomplices) and intimidated critics worldwide. In doing so, it has become a model for aspiring dictators everywhere. Ian Williams examines the extraordinary rise of the Chinese surveillance state, showing how it has been driven...
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