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For Walt Whitman, living and working in Washington, D.C., after the Civil War, Reconstruction meant not only navigating these tumultuous years alongside his fellow citizens but also coming to terms with his own memories of the war. Just as the work of national reconstruction would continue long past its official end in 1877, Whitman’s own reconstruction would continue throughout the remainder of his life as he worked to revise his poetic project—and his public image—to incorporate the disasters that had befallen the Union. In this innovative and insightful analysis of the considerable poetic and personal reimagining that is the hallmark of these postwar years, Martin Buinicki reveals t...
The collection of articles compiled in this volume ponder narratological aspects, elements, and features and examine the extent to which the coinage “post-narratology” is applicable in contemporary literature, cultural studies, translation, etc. The contributors’ rethinking of narratology in relation to ethnicity, culture, history, and religion lead to significant implications as far as adherence to or departure from Western classical narratology is concerned. The notions of plot, storyline, point of view, voice, characters, narrators, and others, paradigmatically structured in the narratological classical model shaped by the Russian Formalists and polished by Tzvetan Todorov, Roland Barthes, and Gérard Genette, are stretched and modified to fit the cultural contexts of written works in various fields.
Walt Whitman created, in various editions of Leaves of Grass, what is arguably the most influential book of poems anywhere in the past 200 years. Whitman absorbed the world, transmuting it into poems that address a spectrum of topics--from democracy and religion to sexuality, gender, class, and identity. He exuberantly incarnated his epoch at the same time as he invoked "you"-- readers and "poets to come"--to join in a "poetry of the future." The first A to Z Whitman reference to incorporate 21st century scholarship, this work is ideal for readers who want a concise introduction to the major poems and prose and to the people, places, and topics central to his life. Each of the book's 142 entries is followed by cross-references to related entries and suggestions for further reading. Also included are a brief biography, a chronology of Whitman's life and major works, and a bibliography of some 300 primary and secondary sources on this most timeless and contemporary of poets.
Where did Walt Whitman get his religious ideas? This book follows in detail the similarities of the religious beliefs of the American writer/humanist and two major classical Persian poets, Hafez and Rumi. Other books have tried to explain Whitman's religion, but none so far has done justice to the topic. Some critics have labelled Whitman a pantheist and let it go at that. Others have dismissed the topic of religion in Whitman's poems as posturing to gain a readership. This work contends that Whitman took religion very seriously. His poems are full of religious references. He knew the Bible well. He also had read Emerson on the poets of the East as well as some of the same poets in translati...
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In 1831, Alexis de Tocqueville and his friend Gustave de Beaumont visited the United States on behalf of the French government to study American prisons. In their nine months in the U.S. they studied not just the prison system but every aspect of American life, public and private--the political, economic, religious, cultural, and above all social life of the young nation. From Tocqueville's copious notes of what he had seen and heard came the classic text De la Démocratie en Amérique, published in two large volumes, the first in 1835, the second in 1840. The first volume focused primarily on political society; the second, on civil society. Tocqueville's account of the travels and adventures of the two Frenchmen aimed to get down the truth about America, not only to praise the new country's strengths but also to critique its shortcomings when these were all too evident to outside eyes.
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