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The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writ...
As more works of African Literature are being incorporated into the Language Arts and Cultural Studies curriculum, it becomes increasingly important to offer students and educators a meaningful context in which to explore these works. As part of Greenwood's Literature as Windows to World Culture series, this volume introduces readers to the cultural concerns of 10 of Africa's most reknowned writers. Written in clear accessible language, close analysis is given for 14 novels, including Achebe's Things Fall Apart, and Paton's Cry the Beloved Country, chosen because of their literary importance and the frequency with which they are assigned. The ten analysis chapters each begin with a brief acc...
In the period of mid-twentieth-century decolonization, when nationalism and globalism were hotly contested, East Africans nurtured regionalism in their intellectual and creative work. This book looks beyond political projects of federation to recover ideas and practices of regionalism, their remarkable longevity and their significance for understanding possibilities of radical change. In doing so, it tells a different story about the fate of the category of East Africa, building on a body of scholarship about the imagined political communities of decolonizing Africa, and rejecting narratives that explain the failure of regional integration as the immediate consequence of postcolonial authoritarianism or global economic crisis.
Since independence from Great Britain in 1963, Kenya has survived five decades as a functioning nation-state, holding regular elections; its borders and political system intact and avoiding open war with its neighbours and military rule internally. It has been a favoured site for Western aid, trade, investment and tourism and has remained a close security partner for Western governments. However, Kenya's successive governments have failed to achieve adequate living conditions for most of its citizens; violence, corruption and tribalism have been ever-present, and its politics have failed to transcend its history. The decisions of the early years of independence and the acts of its leaders in...
The Novel in Africa and the Caribbean since 1950 examines the institutional and social peculiarities that make fiction produced in Africa and the Atlantic World since 1950 important to the history of the novel in English.
The contributors explore different dimensions of the challenges confronting the countries of the sub-region, lending particular emphasis to historiography and the nationalist legacy. They stress the centrality of the role of the intellectual community, language policy and the management of diversity and multilingualism in the strengthening and restoration of popular democratic participation and state and policy processes. At the heart of the debate are the quest for an all-round project of regionalisation and renewal and the ideals of autonomous development and social justice. Contents: the rise, the fall and the insurrection of nationalism in Africa; intellectuals and Africa's renewal; language and regional integration: foreign or African languages for the Africa Union?; language and the east African parliament; ethnicity: an opportunity or a bane in Africa's development?; ethno-centralism and movement politics in Uganda; and intellectuals and soldiers: the socialist experiment in Africa.
Focusing on the early careers of notable East African writers such as Ngugi wa Thiong'o, David Maillu and Okot p'Bitek, Early East African Writers and Publishers is a collection of essays exploring the emergence of East African multilingual literary production in the mid-20th century. Through rare interviews with the major writers of the region, Professor Lindfors provides rare accounts into the process by which East Africa, once considered the literary desert of the African continent, became central to the creation of a unique literary scene.