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This anthology explores the recurring trope of the dead or absent mother in Western cultural productions. Across historical periods and genres, this dialogue has been employed to articulate and debate questions of politics and religion, social and cultural change as well as issues of power and authority within the family. Åström seeks to investigate the many functions and meanings of the dialogue by covering extensive material from the 1200s to 2014 including hagiography, romances, folktales, plays, novels, children’s literature and graphic novels, as well as film and television. This is achieved by looking at the discourse both as products of the time and culture that produced the various narratives, and as part of an on-going cultural conversation that spans the centuries, resulting in an innovative text that will be of great interest to all scholars of gender, feminist and media studies.
The collection contains photographs, including photo albums depicting fences and clotheslines, along with a photograph of Eleanor Roosevelt; two scrapbooks, correspondence, published works by F.E. Wright, clippings, and birth, baptism and retirement documents. Also contains documents pertaining to Wright's father, Andrew Aker Wright, such as deeds, insurance forms, and certificates.
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From James Agee to W. G. Sebald, there has been an explosion of modern documentary narratives and fiction combining text and photography in complex and fascinating ways. However, these contemporary experiments are part of a tradition that stretches back to the early years of photography. Writers have been integrating photographs into their work for as long as photographs have existed, producing rich, multilayered creations; and photographers have always made images that incorporate, respond to, or function as writing. On Writing with Photography explores what happens to texts—and images—when they are brought together. From the mid-nineteenth century to the present, this collection addres...
In The Tennis Player from Bermuda, Fiona Hodgkin tells the story of her short but spectacular career as an amateur tennis player in the early 1960s. Fiona met Claire Kershaw, the number one woman tennis player and twice a Wimbledon champion. Claire was an imp. To get Fiona into the qualifying round for Wimbledon, Claire makes a comical, tongue-in-cheek offer to the mysterious Committee that runs the Championships at Wimbledon. Fiona and Claire quickly become best friends - as well as rivals on the brilliant green grass tennis courts of Wimbledon. Against the backdrop of the London social season, the tennis competition at Wimbledon, and the tennis fashions designed by the irrepressible Teddy Tingling, Fiona has two love affairs, one of which Fiona ends forever - or perhaps she doesn't.
List of members in v. 1, 6, 12.
Inspector Eric Stride led an adventurous life before he joined the Newfoundland Constabulary. One night in May 1947 he is called to investigate the murder of a woman drowned in her bathtub. As it turns out a connection exists between this case and the murder of a young American serviceman three years before which could never be solved. Will Inspector Stride be able to lift the truth to the surface.