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Tracing Dar es Salaam's rise and fall as an epicentre of Third World revolution, George Roberts explores the connections between the global Cold War, African liberation struggles, and Tanzania's efforts to build a socialist state. Roberts introduces a vibrant cast of politicians, guerrilla leaders, diplomats, journalists, and intellectuals whose trajectories collided in the city. In its cosmopolitan and rumour-filled hotel bars, embassy receptions, and newspaper offices, they grappled with challenges of remaking a world after empire. Yet Dar es Salaam's role on the frontline of the African revolution and its provocative stance towards global geopolitics came at considerable cost. Roberts explains how Tanzania's strident anti-imperialism ultimately drove an authoritarian turn in its socialist project and tighter control over the city's public sphere. This title is also available as Open Access on Cambridge Core.
Economic, political, and ethnic favoritism are common themes in the historiography of colonial Africa. Land ownership and control, and the abilities of the respective landscapes to sustain Africa’s growing population amidst the throes of climate change, have created recurrent identity crises throughout Africa. The book’s chapters elevate the discussion on recurrent environmental issues, the problems of contested ownership of land, autochthonism as well as the interaction and blending of different cultures in a restricted geographical space. The study highlights a neglected aspect of the history of Fulani migrations in West Africa - the colonial extension of the Fulani into the Southern C...
This book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.
Created around the world and available only on the web, Internet "television" series are independently produced, mostly low budget shows that often feature talented but unknown performers. Typically financed through crowd-funding, they are filmed with borrowed equipment and volunteer casts and crews, and viewers find them through word of mouth or by chance. The fourth in a series covering Internet TV, this book takes a comprehensive look at 1,121 comedy series produced exclusively for online audiences. Alphabetical entries provide websites, dates, casts, credits, episode lists and storylines.
The town of Little Compton, Rhode Island was founded by a band of explorers from Plymouth Colony. From its inception Little Compton has been a bastion of Mayflower ancestry, including that of the Wilbour family of compiler Benjamin Franklin Wilbour. Mr. Wilbour devoted much of his life to compiling genealogies of his own and other families of Little Compton. Based upon extensive research in primary sources and featuring numerous illustrations, Little Compton Families is Benjamin Franklin Wilbour's legacy to the descendants of some 200 families, many of whom are traced back to the middle of the 17th century.
Includes "Dilatory domiciles."