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Fifty easy-to-deploy active learning exercises for teaching academic writing in any field The Pocket Instructor: Writing offers fifty practical exercises for teaching students the core elements of successful academic writing. The exercises—created by faculty from a broad range of disciplines and institutions—are organized along the arc of a writing project, from brainstorming and asking analytical questions to drafting, revising, and sharing work with audiences outside traditional academia. They present students with engaging intellectual challenges to work through together, arriving at generalizable lessons that transfer well across the humanities, social sciences, and natural sciences....
During the first century B.C.E. a complex system of surveillance towers was established during Rome's colonization of the central Alentejo region of Portugal. These towers provided visual control over the landscape, routes through it, and hidden or isolated places as part of the Roman colonization of the region. As part of an archaeological analysis of the changing landscape of Alentejo, Joey Williams offers here a theory of surveillance in Roman colonial encounters drawn from a catalog of watchtowers in the Alentejo, the artifacts and architecture from the tower known as Caladinho, and the geographic information systems analysis of each tower's vision. Through the consideration of these and other pieces of evidence, Williams places surveillance at the center of the colonial negotiation over territory, resources, and power in the westernmost province of the Roman Empire.
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its "milieu," "atmosphere," or "environment." Christian explores how the artwork's external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke's observation that Rodin's sculpture "exhal...
Contents: Domestic Space in the Geometric Cyclades; Archaeological field work in ancient Kalydon; The Zea Habour Project 2001-06; A fresh approach to the problems of the Parthenon Frieze; The cult and political background of the Knidian Aphrodite; Sight, object, space. The notion of landscape in antiquity as a functional or an aesthetic category.
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