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Shakespeare and the Materiality of Performance
Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Imagining the Self, Constructing the Past
Imagining the Self, Constructing the Past celebrates the various ways in which the Middle Ages and the Renaissance are adapted, recollected, and represented in our own day and age. Most of the chapters fit broadly into one of three categories: namely, the representation of the self in medieval and early modern history and literature; the recollection and utilization of the past in the Middle Ages and the Renaissance; and the role of the medieval and the early modern in our own society. Overall, the contributions to this volume bear witness to the importance of representation to our understanding of ourselves, each other, and our shared past.
The Methuen Drama Handbook of Gender and Theatre
This wide-ranging handbook examines how critical discourses on gender intersect with key debates in the field of theatre studies.
Medieval and Renaissance Drama in England, vol. 27
An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes nine new articles and reviews of three books.
Shakespeare, Spectatorship and the Technologies of Performance
Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama.
The Oxford Handbook of Shakespeare and Music
Engages with musical practice in a wide range of countries, Offers a cutting-edge resource for Shakespeare scholars and musicians alike, Sheds light on a crucial and fascinating aspect of Shakespeare studies Book jacket.
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