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Architectures of Resistance
Borders between countries, neighbourhoods, people, beliefs, and policies are proliferating and expanding despite what self-proclaimed progressive societies wish or choose to believe. For a wide variety of reasons, the early 21st century is caught struggling between breaking down barriers and raising them. Architecture is complicit in both. It is central to the perpetuation of borders, and key to their dismantling. Architectures of Resistance: Negotiating Borders Through Spatial Practices approaches borders as sites of meaningful encounter between others (other cultures, other nations, other perspectives), guided not by fear or hatred but by respect and tolerance. The contributors to this vol...
Political Theory and Architecture
What can political theory teach us about architecture, and what can it learn from paying closer attention to architecture? The essays assembled in this volume begin from a common postulate: that architecture is not merely a backdrop to political life but a political force in its own right. Each in their own way, they aim to give countenance to that claim, and to show how our thinking about politics can be enriched by reflecting on the built environment. The collection advances four lines of inquiry, probing the connection between architecture and political regimes; examining how architecture can be constitutive of the ethical and political realm; uncovering how architecture is enmeshed in logics of governmentality and in the political economy of the city; and asking to what extent we can think of architecture-tributary as it is to the flows of capital-as a partially autonomous social force. Taken together, the essays demonstrate the salience of a range of political theoretical approaches for the analysis of architecture, and show that architecture deserves a place as an object of study in political theory, alongside institutions, laws, norms, practices, imaginaries, and discourses.
Are Markets Moral?
Despite the remarkable achievements of free markets—their rapid spread around the world and success at generating economic growth—they tend to elicit anxiety. Creative destruction and destabilizing change provoke feelings of powerlessness in the face of circumstances that portend inevitable catastrophe. Thus, from the beginning, capitalism has been particularly stimulative for the growth of critics and doomsayers. While early analysts such as Karl Marx primarily emphasized an impending economic disaster, in recent years the economic critique of capitalism has receded in favor of moral and environmental concerns. At the heart of this collection of original essays lies the question: does m...
Motherland
Parangolé ist ein jährlich erscheinendes, unabhängiges Magazin, das Ideen zu Urbanisierung, Design und Architektur erforscht und einen globalen Dialog über Themen wie Mobilität, Migration, Fluidität und Vielfältigkeit initiiert. Das Magazin beschäftigt sich mit der kulturellen, sozialen und politischen Bedeutung dessen, was es bedeutet, in der Stadt zu leben. Der Titel ist eine Hommage an das Werk des brasilianischen Künstlers Hélio Oiticica und erweitert dessen zentralen Grundsatz »Leben ist Bewegung« vom Körper auf die Stadt. Die erste Ausgabe von Parangolé mit dem Titel Motherland befasst sich mit dem Lebensraum derjenigen, die aufgrund von wirtschaftlicher Not, Konflikten und Gewalt in prekären und unbeständigen Verhältnissen leben. Menschen, die auf der Flucht – also »in Bewegung« – sind, stehen vor großen Herausforderungen und sind besonders verwundbar. Diese Tatsachen müssen bei der Stadtplanung entsprechend berücksichtigt werden. In Motherland werden Theorie und Praxis zusammengebracht, um über diese Fragen und ihre Lösungen nachzudenken.
Visual Cultures as Opportunity
Assemblies, gathering places, and agora-like situations have become popular sites for contemporary art. At the heart of these arenas is the search for new ways to counter the crisis-ridden experience of homo economicus--the pervasive and alienating marketization of all aspects of our lives. A great deal of hope is being placed on the potential of social formations enabled by new technologies of connectivity and exchange. Artists and cultural producers are at the forefront of testing the viability of transgressive actions such as coworking, crowdfunding, and open-source provisions. At the same time, it is apparent that global capitalism is expanding into multipolar constellations of top-down and bottom-up economic governance. In this volume, the fourth in the series Visual Cultures as..., Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's "crowd economy." Copublished with Goldsmiths, University of London
