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Criminal Femmes Fatales in American Hardboiled Crime Fiction
This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.
Summons to Berlin
On his deathbed, Dr. Joanne Intrator's father poses two unsettling questions: "Are you tough enough? Do they know who you are?" Joanne soon realizes that these haunting questions relate to a center-city Berlin building at 16 Wallstrasse that the Nazis ripped away from her family in 1938. But a decade is to pass before she will fully come to grasp why her father threw down the gauntlet as he did. Repeatedly, Joanne's restitution quest brings her into confrontation with yet another of her profound fears surrounding Germany and the Holocaust. Having to call on reserves of strength she's unsure she possesses, the author leans into her professional command of psychiatry, often overcoming flabbergasting obstacles perniciously dumped in her path. The depth and lucidity of psychological insight threaded throughout Summons to Berlin makes it an attention-grabbing standout among books on like topics. As a reader, you'll come away delighted to know just who Dr. Joanne Intrator is. You'll also finish the book cheering for her, because in the end, she proves far more than tough enough to satisfy her father's unnerving final demands.
JOHN WHITING:: THE AGONY OF THE ABSURD
This book is a complete and comprehensive projection of John Whiting as an absurdist playwright. It is a round and unvarnished story of a prodigious playwright who within a short span of his life, did much to outshine his contemporaries. His journey was not limited to stage and theatre. He also wrote for the films, television and even radio. The journey began with The Conditions of Agreement in 1946 and ended with The Devils in 1961. In between he wrote many landmark plays through which one can trace the evolutionary trajectory of a legend in the making who was a confluence of mind and mystery, love and revenge, sentimentality and blood lust. His plays are replete with sin and sleaze, callou...
All for You
Emil, a Jewish man in 1930s Germany, loves Deta, a Lutheran, but Nazi racial purity laws forbid their marriage. Desperate to find a place where their love can survive, they must separate to get away. Deta leaves for England, but Emil has to overcome red tape, resistance from his aging parents, and his own ambivalence before he can embark for America. With only telegrams and letters from Deta to sustain him, he does all he can to bring her and his family to America. But the clock is ticking as the war breaks out and the Nazis tighten their stranglehold. From the heartbreaking news of November 10, 1938 (Kristallnacht) to the horrific revelations after the German surrender in 1945, Emil's story runs the course of the war. Can he make his way in this new world? Will he be reunited with his beloved Deta? And will he ever see his family again? Told by Emil's daughter with the help of letters and historical documents, All for You is a true story about love overcoming despair and the impact the Holocaust continues to have on the rising generation.
Better Homes of South Bend
In 1950, a group of African American workers at the Studebaker factory in South Bend met in secret. Their mission was to build homes away from the factories and slums where they were forced to live. They came from the South to make a better life for themselves and their children, but they found Jim Crow in the North as well. The meeting gave birth to Better Homes of South Bend, and a triumph against the entrenched racism of the times took all their courage, intelligence and perseverance. Author Gabrielle Robinson tells the story of their struggle and provides an intimate glimpse into a part of history that all too often is forgotten.
That Voice
As an adolescent in Syracuse, New York, Marcia Menter fell in love with the recorded voice of Ann Drummond-Grant, a Scottish contralto who sang with the D'Oyly Carte Opera Company, the legendary Gilbert and Sullivan troupe. She dreamed of singing with the company, even though it didn't hire Americans—and even though, as she soon found out, Ann Drummond-Grant had died years earlier. But her dream persisted, and for the young music lover, Drummie's glorious voice remained a living presence—a refuge from the race riots and political upheavals of her school years. Menter earned a conservatory degree in singing before finally realizing she was not a performer at heart. She spent decades searching for Ann Drummond-Grant—visiting places she lived and interviewing people who knew her—and putting together the puzzle of her life. This is the story of a singer and her listener—of two separate lives divided by time and geography but connected in unexpected ways.
Tom Stoppard
Every four or five years Britain's most prominent dramatist pulls out all the stops and writes a major stage play of his own. Between plays, Stoppard the craftsman does translations, screenplays, light entertainments, and work for hire. Delaney's book is the first to focus on the major plays. Spanning Stoppard's career from Rosencrantz and Guildenstern are Dead (1967) to Hapgood (1988), this study shows the figure which Stoppard from the first has been weaving in his theatrical tapestry. That there is development in Stoppard is clear but - as Delaney demonstrates - the development is from moral affirmation to moral application, from the assertion of moral principles to the enactment of moral practice. Such development from precept to praxis demonstrates organic growth rather than radical metamorphosis. Using Stoppard's words in a number of little-known interviews as a starting-point, Delaney shows how the major plays bear out Stoppard's contention that he 'tries to be consistent about morality'. The volume contains the most extensive bibliography and discography of Stoppard interviews (over 200 including print and broadcast sources) ever compiled.
Masterplots II.
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