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A bold, riveting debut novel of desire, betrayal, and loss, centering on three teenage girls, a horse ranch, and the tragic accident that changes everything. Rory Ramos works as a ranch hand at the stable her stepfather manages in Topanga Canyon, California, a dry, dusty place reliant on horses and hierarchies. There she rides for the rich clientele, including twins June and Wade Fisk. While Rory may have unwittingly drawn the interest of out-and-proud June, she's more intrigued by Vivian Price, the beautiful teenager with the movie-star father who lives down the hill. Rory's blue-collar upbringing keeps her largely separate from the likes of the Prices--but, perched on her bedroom windowsil...
Jam-packed with hundreds of anecdotes and quotes from in-depth interviews with over forty television writers, this is the first comprehensive history of writing for American television. These writers tell, often in wonderfully funny tales, of their experiences working with, and often fighting with, the networks, the censors, the sponsors, the producers, and the stars in trying to create shows.
Foremost stage directors describe their working process: JoAnne Akalaitis, Arvin Brown, René Buch, Martha Clarke, Gordon Davidson, Robert Falls, Zelda Fichandler, Richard Foreman, Adrian Hall, John Hirsch, Mark Lamos, Marshall W. Mason, Des McAnuff, Gregory Mosher, Harold S. Prince, Lloyd Richards, Peter Sellars, Andrei Serban, Douglas Turner Ward, Robert Woodruff, and Garland Wright.
In these twelve award-winning stories, Kate Milliken unflinchingly shows us what can happen when the uninvited guest of our darkest desires comes to call. Whether surrounded by the white noise of a Hollywood celebration or enduring a stark winter in Maine, the characters of If I’d Known You Were Coming yearn to heal old wounds with new hurts. With a wry wit and a keen eye for emotive detail, the author of this unforgettable collection sets intersections in motion that will leave you both winded and wanting more. In one story, a mother, driven by greed, unwittingly finds out how far her needs will push her. A hand model surprises himself and everyone else at the birthday party of an old fri...
Margaret Dickinson's history of oppostional film is a pioneering account of an important by little documented aspect of modern British Cinema: the often extreme form of independent cinema that accompanied the radical politics of the 1960s and 70s. During the 70s an organized independent film and video movement emerged (including such filmmaking groups as London Filmmakers' Co-op, Cinema Action, Amber, Liberation Films and Sheffield Co-op). This avant-garde exerted an increasing influence within the British media mainstream - changing attitudes and practice, and enabling cross-over work by filmmakers such as Peter Greenaway and Sally Potter. This oppostional sector revolutionized British medi...
Issue for Feb. 1969 includes Afro-Asian theatre bulletin, v. 4:2, spring 1969.
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Contains abridged editions of the ten best plays for 1986-1987.
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