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Dong Haoyan picked up his son and gave him a kiss. Han Yiping stood off to the side, smiling blissfully as she immersed herself in the warmth of home.It didn't matter if Dong Haoyan was right or wrong. All of the past injuries, all of his betrayals, all of his deceit, had all been forgotten by time the moment he sacrificed himself for Han Yiguang.Han Yiguang loved him a lot, but she would always love him because Dong Haoyan had already settled into her heart. No matter what Dong Haoyan did, he was now Han Yiguang's husband, and there was no longer any hatred between them. These things, even if it was a test for two people, the price would be too heavy.
Four years later, Han An Xin, who returned with Geng Bao, unexpectedly met the baby's biological father. "Hey, you're very handsome. You're my dad." Han Xin said, "Little An, he's not your father!" Qin Xuan said arrogantly, "Han Xin." Four years ago, he thought Han Xin had climbed into his bed for money. Four years later, he thought that Han Xin Xin had a child with someone else. But after the paternity test ... As Han Xiaoshan ate the ice cream, he said, "Dad, Mommy's angry. Hurry and chase Mommy back."
Originally published in 1987, two years before the Tiananmen Square protests, Zhang Wei's award-winning novel is the story of three generations of the Sui, Zhao, and Li families living in the fictional northern town of Wali during China's troubled postliberation years. Spanning four decades following the creation of the People's Republic in 1949, The Ancient Ship is a bold examination of a society in turmoil, the struggle of oppressed people to control their own fate, and the clash between tradition and modernization. In the course of the narrative, the townspeople of Wali face the moments that have defined China's history during the latter part of the twentieth century: the land reform programs, the famine of 1959-1961, the Great Leap Forward, the Anti-Rightist Campaign, and the Cultural Revolution. Translated into English for the very first time, The Ancient Ship is a revolutionary work of Chinese fiction that speaks to people across the globe.
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From the mid-nineteenth-century Hui rebellions, which challenged centralised state control, to the early-twentieth-century revolutions, which led to Yunnan’s decades-long independence, local actors shaped the history of Yunnan through their extensive cross-border networks and contradictory roles in the attempted state consolidation of this contested area. Among the local elites, the state agents, both Han and non-Han, acted on behalf of the state in the borderlands’ affairs while seeking the balance between the interests of the state and their own communities. The state agents competed with each other while utilising and wrestling with the state authorities. The dynamic relationship between the state and local actors created another contested facet of modern Yunnan’s transformation. Competing narratives emerged when local actors negotiated and reconstructed their status within the contemporary Chinese nation-state. Bandits became heroes; separatists became patriots; a vibrant regional center became an isolated, exotic, and marginal province of the People’s Republic of China .
"Origins of Chinese Law develops and supports an original, yet controversial, picture of early Chinese law. Casting doubt on the accepted premise that there was a unified system of law and punishment throughout the ancient Chinese empire based on the wuxing, or five punishments, the author suggests a more complicated and diverse picture: that from their earliest origins the Chinese people were subject to different laws and punishments based on their clan or social status." "Using a wealth of literary evidence from the Confucian classics and historical writings, and making use of recent archaeological excavations of oracle bones, bronze inscriptions, and bamboo strips, the author elucidates the central concepts that formed the basis of early Chinese law such as Li, covenant, punishment, and the theories and practice of law of the Qin and Han dynasties."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Portrays a fateful moment at the end of the Han dynasty. Three young men pledge loyalty to each other and answer the emperor's appeal for help in suppressing a peasant rebellion.
The longest volume in the Sanyan trilogy, Stories to Awaken the World is presented in full here, including sexually explicit elements often omitted from Chinese editions. Shuhui Yang and Yunqin Yang have provided a rare treat for English readers: an unparalleled view of the art of traditional Chinese short fiction. As with the first two collections in the trilogy, Stories Old and New and Stories to Caution the World, their excellent renditions of the forty stories in this collection are eminently readable, accurate, and lively. They have included all of the poetry that is scattered throughout the stories, as well as Feng Menglong's interlinear and marginal comments, which convey the values shared among the Chinese cultural elite, point out what original readers of the collection were being asked to appreciate in the writer's art, and reveal Feng's moral engagement with the social problems of his day.