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The present volume is the second of a series. In addition to revising those parts of the ACQP which were published in the “Contract I” volume, it presents numerous new rules, in particular on remedies for non-performance and on certain specific situations or contracts such as delivery of goods, package travel and payment services. The work is particularly aimed at enriching the current controversial debate on the way forward for European contract and consumer law stimulated by the European Commission's Proposal for a Directive on Consumer Rights. The Acquis Principles include: - General rules formulated on the basis of existing EC law - An accompanying commentary, outlining the foundations in the Acquis - Definitions of core legal terms and a glossary on terminology The Acquis Group aims to reformulate the present patchwork of directives, regulations and judgments on EC private law as a coherent Restatement, the Acquis Principles (ACQP). These Principles present the current state of EC law in a structure which allows readers to identify commonalities, contradictions and gaps in the Acquis.
This collection of essays analyzes global depictions of the devil from theological, Biblical, and literary perspectives, spanning the late Middle Ages to the 21st century. The chapters explore demonic representations in the literary works of Johann Wolfgang von Goethe, Fyodor Dostoyevsky, Dante Alighieri, Charles Baudelaire, John Milton, H.P. Lovecraft, and Cormac McCarthy, among others. The text examines other media such as the operas Orfeo and Erminia sul Giordano and the television shows Breaking Bad, The Sopranos, and Mad Men. The Hermeneutics of Hell, featuring an international set of established and up-and-coming authors, masterfully examines the evolution of the devil from the Biblical accounts of the Middle Ages to the individualized presence of the modern world.
In October 2008, the European Commission published the Proposal for a Consumer Rights Directive - a proposal that suggests far-reaching changes to the core of consumer contract law. Four current directives are replaced by a new overarching piece of legislation. In doing so, full harmonization should, for the most part, take the place of the minimum standard presently in force in the EU. Although a welcomed initiative, the extent and possible effects of the Proposal have certainly brought a number of issues to the fore. In January 2009, legal experts - from universities, legal practices, and the civil service - met at Manchester University to address the issues raised by the Proposal and to address the question of the extent to which the Proposal can indeed contribute to the modernization and harmonization of European consumer contract law. This book contains the proceedings of the conference, and includes papers that analyze, criticize, and suggest improvements for the Proposal.
In March 2014, the University of Delaware’s Resident Ensemble Players staged the first Part of Goethe’s Faust, adapted and directed by Heinz-Uwe Haus, which forms the centrepiece and raison d’être of this book. This book tracks the creative process of Haus’s adaptation of the play and his attempts to elicit responses from his international networks to his question: how is Goethe’s Faust relevant today? It brings together comments from stage and costume designers as they brought their own creativity and understanding of the audience to bear on the play, and presents a brief record of the production itself, through stage directions and the photography of Bill Browning. The book then explores the reactions the production has elicited amongst some of its audience.
European Consumer Law has adapted and evolved in response to the rapid growth of e-commerce in the last two decades. Compliance with European Consumer Law: The Case of E-Commerce examines the evolving legal framework at the EU and national levels - from mandatory disclosures to unfair contract terms - and analyses the extent to which scientifically grounded evidence or theories underpin these legislative choices. At the heart of the book lies an original, data-driven inquiry assessing compliance among e-commerce traders with consumer protection rules. The empirical analysis investigates whether 300 traders from four jurisdictions (France, Germany, the Netherlands, and the United Kingdom) com...
This is an anthology of contemporary Swiss literature to be translated into English. Almost one third of the texts are originals, published for the first time in any language. It includes both fiction and non-fiction texts which explore Switzerland's complex love-hate relationship with the United States, and a preface on the views of Max Frisch and Friedrich Durrenmatt, two of Switzerland's most prominent literary figures. Contributors: Etienne Barilier, Franco Beltrammetti, Peter Bichsel, Iso Camartin, Kuno Raeber, Jurg Federspiel, Christoph Geiser, Eugen Gomringer, Hanno Helbling, Urs Jaeggi, Hanna Johansen, Jurg Laederach, Hugo Loetscher, Herbert Meier, Adolf Muschg, Daniel Odier, Erica Pedretti, Romey Sabalius, Cornelius Schnauber, Flurin Spescha, Gene O. Stimpson, Yves Velan, Walter Vogt, Urs Widmer, Gertrud Wilker, and Uli Zingg. Co-published with the McMaster Colloquium on German Literature and Art.
Since its inception, the theory of literary translation has been plagued by a disregard of the comprehensive aspect of the translation process. This development throughout the history of translation has led to considerable disagreements and colliding notions regarding the purposes of theory, the parameters of translation criticism, and the question of untranslatability. In this book, the concept of a 'translative reading' - the engagement with a poetic text with the purpose of translation - is explored and its structure revealed. In order to demonstrate the practical value of this theory, three poems by German expressionist poet Gottfried Benn (1886 - 1956) are examined on the basis of such a translative reading.