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How to Form a Library
  • Language: en
  • Pages: 265

How to Form a Library

This 1886 work provides a fascinating insight into the history of libraries and of changing reading habits.

Literary Blunders
  • Language: en
  • Pages: 244

Literary Blunders

  • Type: Book
  • -
  • Published: 2012
  • -
  • Publisher: Unknown

None

Islam as Imagined in Eighteenth and Nineteenth Century English Literature
  • Language: en
  • Pages: 187

Islam as Imagined in Eighteenth and Nineteenth Century English Literature

Since medieval times, English literature has often demonized Muslims. The term ‘Islamophobia’ is recent, but the phenomenon is old. This survey of literature focusing on the modern period up to 1914 identifies negative ideas about Islam in novels and plays. Some works are iconic, some more obscure. However, the book highlights writers who challenged stereotypes and tended to see Muslims as equally capable of virtue and vice as Christians and others. The book deals with the role of the imagination in depicting others and how this serves authors’ agendas. The conclusion brings the book’s thesis into dialogue with the debate in the USA today between supporters of multiculturalism and its critics. Anyone interested in how stereotypes are formed, perpetuated and can be challenged will profit from this book. It is aimed at a non-specialist readership.

An Historical Sketch of Bookbinding
  • Language: en
  • Pages: 326

An Historical Sketch of Bookbinding

  • Type: Book
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  • Published: 1893
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  • Publisher: Unknown

None

What is an Index?
  • Language: en

What is an Index?

Henry Benjamin Wheatley (1838-1917) was a bibliographer and editor with a prodigious output of books and articles to his name. Brought up after the death of both his parents by his brother Benjamin Robert, himself a skilled bibliographer and cataloguer, Henry worked for many years for the Royal Society and the Royal Society of Arts; he was a founder member of the Library Association, and produced an edition of Pepys' diary which was not superseded until the 1970s. This 1879 work is one of two which he produced on the subject of indexing, and which led him to become known as 'the father of British indexing': the Wheatley Medal awarded by the Society of Indexers is named after him. This book shows the development of indexes, gives rules for their compilation and provides a bibliographical list of important indexes and concordances. It remains a fascinating introduction to the subject.

The Diary of Samuel Pepys, Vol. 1
  • Language: en
  • Pages: 504

The Diary of Samuel Pepys, Vol. 1

The editors went back to Pepys' original 300-year-old manuscript to reconstruct a complete edition of his "Diary" which deals with some of the most dramatic events in English history: the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. "One of the glories of contemporary English publishing."--Michael Ratcliffe, "The Times." 11 illustrations. 5 maps.

The National Union Catalog, Pre-1956 Imprints
  • Language: en
  • Pages: 710

The National Union Catalog, Pre-1956 Imprints

  • Type: Book
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  • Published: 1968
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  • Publisher: Unknown

None

A Bibliography of Bookbinding
  • Language: en
  • Pages: 184

A Bibliography of Bookbinding

  • Type: Book
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  • Published: 1892
  • -
  • Publisher: Unknown

None

Where Words and Images Meet
  • Language: en
  • Pages: 257

Where Words and Images Meet

  • Categories: Art

Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.