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The Neurasthenia-Depression Controversy
This book is about the largest debate that has occurred in the field of cultural psychiatry and its impact on diagnosing, theorizing, and clinical practice. It is also about the role of culture in psychopathology specifically in relation to China. This book is the first comprehensive and critical assessment of the anthropological psychiatry that has provided Western physicians with their ideas about somatization and culture. It is argued that psychiatric nosology and the broader cultural milieu interact in a fascinating way and co-facilitate individual conformity to culturally salient categories, consciously or unconsciously, through a process of belief, expectation, and learning. The result...
The Invention of Madness
Throughout most of history, in China the insane were kept within the home and treated by healers who claimed no specialized knowledge of their condition. In the first decade of the twentieth century, however, psychiatric ideas and institutions began to influence longstanding beliefs about the proper treatment for the mentally ill. In The Invention of Madness, Emily Baum traces a genealogy of insanity from the turn of the century to the onset of war with Japan in 1937, revealing the complex and convoluted ways in which "madness" was transformed in the Chinese imagination into "mental illness." ? Focusing on typically marginalized historical actors, including municipal functionaries and the ur...
Dandyism and Transcultural Modernity
This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneu...
Weekly News Letter
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Crazy Ji
Crazy Ji: Chinese Religion and Popular Literature is the first study in any language of one of the most colorful deities in the pantheon of late imperial and modern China: Sire Ji - or, as he is better known, Crazy Ji. The author uses the evolution of the cult of this eccentric deity to address central questions regarding the nature of the Chinese religious tradition, its relation to the Chinese social structure, and the role of vernacular fiction and popular media in shaping religious beliefs in China. His analysis of the cult of Crazy Ji shows that far from being, as is often argued, a mirror of the Chinese bureaucratic order, Chinese religion offers a means of liberation from it. Finally, this study of the cult of Crazy Ji illustrates how lay believers influenced the practices of organized religion (in this case, monastic Buddhism)
The Precious Raft of History
This book develops a new approach to historical change at the turn of the twentieth century, a crucial stage in the unfolding of Chinese modernity. Its focus is on the fraught and momentous woman question, which foregrounded the cultural paradoxes and political aspirations that define the era. Judge probes Chinese approaches to their own past and the modern West (mediated via Japan) through a close examination of the varied cultural and political uses of female biography--a genre with a 2,000-year history in China and a new political salience in the early twentieth century.
Encounter
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