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HPI Future SOC Lab
Das Future SOC Lab am HPI ist eine Kooperation des Hasso-Plattner-Instituts mit verschiedenen Industriepartnern. Seine Aufgabe ist die Ermöglichung und Förderung des Austausches zwischen Forschungsgemeinschaft und Industrie. Am Lab wird interessierten Wissenschaftlern eine Infrastruktur von neuester Hard- und Software kostenfrei für Forschungszwecke zur Verfügung gestellt. Dazu zählen teilweise noch nicht am Markt verfügbare Technologien, die im normalen Hochschulbereich in der Regel nicht zu finanzieren wären, bspw. Server mit bis zu 64 Cores und 2 TB Hauptspeicher. Diese Angebote richten sich insbesondere an Wissenschaftler in den Gebieten Informatik und Wirtschaftsinformatik. Einig...
Highlights of Astronomy: Volume 14
Recording the proceedings of the IAU XXVI General Assembly, this volume of the IAU Highlights of Astronomy covers virtually all aspects of modern astrophysics as discussed by 2400 participants from 73 countries. Notably, the common aspects of astrophysical phenomena known to exist in widely differing interstellar environments is thoroughly examined, providing fertile cross correlation from one specialisation to another. This text highlights the importance of the triennial IAU General Assemblies in bringing together the work of observers and theoreticians in widely different fields, but working towards a common goal: understanding the physics of the Universe. Together with the Proceedings of the IAU Symposia 235-240, this volume examines all of the astrophysics presented at the General Assembly.
Highlights of Astronomy
Vol. 1- contain papers, etc., from 13th- General Assembly.
Un mistero di mezzo
Nel marasma della Città eterna, tra "la grande bellezza" e "la grande sconcezza", c'è Igor, il clochard che rappresenta le contraddizioni della Roma contemporanea e che racchiude tutte le sue caratteristiche. Un invisibile, che suscita la curiosità del narratore, coinvolto – suo malgrado – in una vicenda dalle tinte fosche e più grande di lui. In tutto questo, il narratore è un co-protagonista in ombra, che, come uno scultore, pazientemente e con curiosità, libera la “materia”, cioè la coscienza di Igor, dalla diffidenza e dal cinismo, per riesumare una vicenda che non solo è il perno del suo destino, bensì, metaforicamente, lo snodo cruciale di molte esistenze e, di riflesso, di una delle tante paradossali vicissitudini della Città eterna.
Italian Wines 2002
-- Of the more than 15,000 wines tasted, only 600 make it to the final round; 241 receive the prized recognition, tre bicchieri -- In addition to tre bicchieri, a new classification is conferred on those producers who have consistency of quality at the highest level Since its first edition in 1988, Italian Wines has played a major role in Italy's wine market; both professionals and wine enthusiasts have learned to trust its evaluations. The 2001 edition was a best-selling wine title; it was a complete sell out. Italian Wines 2002 surveys the panorama of quality wine production in Italy. Expanded to 792 pages, this volume reviews and evaluates over 11,000 wines and 1,600 wineries. After months of blind tastings, prize-winning wines were selected and indicated with a symbol that has become synonymous with quality: three glasses, tre bicchieri.
Russians on Russian Music, 1880–1917
This second anthology of Russian writing on Russian music begins in 1880 (where the first volume concluded) and ends in 1917. It brings the thoughts of leading Russian music critics to an English-speaking readership as they react to the Russian music that is new to them, during a period when all aspects of musical life were developing rapidly. Music criticism had become more sure-footed, if no less opinionated. These reviews demonstrate greater awareness both of music history and of contemporary music abroad. The period covers the late careers of Tchaikovsky and Rimsky-Korsakov as well as late works by Borodin and Balakirev, and the emergence of Mussorgsky's compositions. Works by the intervening generation, including Arensky, Glazunov and Lyadov, are also reviewed and the book concludes with coverage of works by the Moscow School, including Medtner, Rachmaninoff and Skryabin and the early compositions of Stravinsky and Prokoviev.
ALV Journal
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