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Writing the Frontier: Anthony Trollope between Britain and Ireland is the first book-length study of the great Victorian novelist's relationship with Ireland, the country which became his second home and was the location of his first personal and professional success. It offers an in-depth exploration of Trollope's time in Ireland as a rising Post Office official, contextualising his considerable output of Irish novels and short stories and his ongoing interest in the country, its people, and its always complicated relationship with Britain. Trollope's Irish novels were long neglected but are vital to any understanding of his entire oeuvre and when given their just place alter our overall vi...
A collection of reviews on Lady Morgan's works.
This groundbreaking book explores the role nineteenth century Irish Catholic authors played in forging the creation of modern Irish literature. As such it offers a unique tour of Ireland’s literary landscape, from early origins during the Catholic political resurgence of the 1820s to the transformative zenith wrought by James Joyce’s Ulysses in 1922. Emer Nolan observes that contemporary Irish literature is steeped in the ambitions and internal conflicts of a previously captive Irish Catholic culture that came into its own with the narrative art form. He revisits, with keen insights, the prescient and influential songs, poems, and prose of Thomas Moore. He also points out that Moore’s wildly successful work helped create an audience for authors to come, i.e. John and Michael Banim, William Carleton and the popular novelists Gerald Griffin and Charles Kickham. An innovative aspect of this study is the author’s exploration of the relationship between James Joyce and Irish culture and his nineteenth-century Irish Catholic predecessors and their political and national passions. It is, in effect, a telling look at the future history of Irish fiction.
Explores the politics of nineteenth-century British realismOffers a new theory of institutions grounded in temporalityOutlines a transnational theory of British realism that emerges from interpreting Irish realist novelsReassesses the politics of realism and the politics of institutionsContains close-reading of realist novels as well as a new genealogy of British realismAdvances a new understanding of the relationship between realism and colonialismThis book examines anachronisms in realist writing from the colonial periphery to redefine British realism and rethink the politics of institutions. Paying unprecedented attention to nineteenth-century Irish novels, it demonstrates how institutions constrain social relationships in the present and limit our sense of political possibilities in the future. It argues that we cannot escape institutions, but we can refuse the narrow political future that they work to secure.
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Providing a snapshot of the current state of Irish studies, this collection testifies that a broad range of Irish cultural activity is now being analyzed by a diversity of scholars. Topics covered include: Politics and Revival, Theorizing the Novel, New Directions in Irish Studies, Women and Fiction, Imagining Northern Ireland, Literary Journalism, and Poetry and Nation. Many of these essays will usefully contribute to ongoing debates beyond the immediate concern of Irish studies in fields such as Marxist theory, historiography, feminism, postcolonial studies, genre theory, cultural studies, and history of science.