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Sinceits founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
At a religion’s margins a counterpoint can be found for its power center. In a creative manner, relatively free from clerical control, religious virtuosos take new initiatives there. Inspired by their experience with the sacred, they explore their liberty to play with meanings, images and practices. Yet, the eventual success of such an innovation calls for organization and thus for the exercise of power. Accordingly new movements slow down into institutions – till a new virtuoso brings the cycle to a fresh start. Over the last thirty years André Droogers has extensively published on the relation between religion, power and play. In this collection of essays the most relevant articles ar...
Sects and new religious movements
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Most ritual participants claim that their rituals have been the same since time immemorial. Citing recent research in ritual studies, this book illustrates how, on the contrary, rituals are often subject to dynamic changes. When do rituals change? When is the change accidental and when is it on purpose? Are certain kinds of rituals more stable or unstable than others? Which elements of rituals are liable to change and which are relatively stable? Who has the power to change rituals? Who decides to accept a change or not? The Dynamics of Changing Rituals attempts to address these questions within this new field of ritual studies.
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This study provides a chronological survey of two thousand years of musical activity in Japan. It begins with evidence discovered in prehistoric excavations, and includes discussions of surviving instruments, pictorial evidence, written records of successive periods, and the modern acceptance of Western music. Offering a comprensive view of the changes, developments, and consistencies in Japanese music-making, the author presents the social and political climate of each musical phenomena. An extensive portrayal of ancient and mysterious music, this history will interest musicologists and students of Japanese culture.