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Grievous Bodily Harm
When Idaho pathologist Toni Day meets Perrine Memorial Hospitals new administrator, she immediately notices that his smile does not reach his blue eyes. There is no question in her mind that Marcus Manning is trouble. Manning, a good old boy with roots in Twin Falls, does not waste any time earning the enmity of medical staff and employees alike as he ruthlessly goes about eliminating anyone who might oppose him in his quest to become CEO not just of Perrine Memorial but of the entire system. Unwisely, he starts his battle with Day, who blows the whistle on his twisted campaign of lies, blackmail, and sexual abuse until the medical staff finally considers firing him. But when someone comes u...
Film and Nationalism
This text examines the ways in which conema has been considered an arena of conflict and interaction between nations and nationhood.
Australian National Cinema
Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.
Off Key
In Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.
The Film Cultures Reader
This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
