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In London he was, as we have seen, something of a "lion," but it is doubtful if he enjoyed the conventional diversions of the beau monde. Yet he liked the company of ladies, especially when they were personally attractive. That he was never at a loss for a compliment may perhaps be taken as explaining his frequent conquests, for, as he frankly said himself, the pretty women "were at anyrate not tempted by my beauty."-from "Haydn: The Man"This 1902 biography of the 18th-century Austrian composer is highly informative, focusing not only on the "tranquil career" of Franz Joseph Haydn but his private life, too, his "long, sane, sound, and on the whole fortunate existence." Hadden finds the drama inherent in Haydn's life, in his European travels and hobnobbing with royalty, making this a vastly entertaining work. The useful appendices include a catalog of Haydn's works, a selection of his personal correspondence, and his last will and testament.Scottish writer and musician JAMES CUTHBERT HADDEN (1816-1914) also wrote biographies of Chopin, Handel, and Mendelssohn.
Thomas Campbell by J. Cuthbert Hadden is a biography that delves into the life and work of Thomas Campbell, the famous Scottish poet. The biography explores Campbell's upbringing, his education, and his journey to becoming one of the most celebrated poets of the early 19th century. Campbell, known for his patriotic and sentimental poems, rose to prominence with works like The Pleasures of Hope and Lochiel's Warning. This biography offers insight into his creative processes, his relationships, and his personal struggles, shedding light on how these elements influenced his poetry. Hadden also examines Campbell's legacy in the literary world, reflecting on his impact and how his work resonated with readers of his time. The biography captures not only the achievements of Campbell but also the challenges he faced, from financial difficulties to the pressures of fame. Through Hadden's exploration, readers gain a deeper understanding of Campbell's life and his contributions to literature, providing a comprehensive view of the man behind the poems.
As long ago as 1917, Virginia Woolf expressed surprise that anyone as good as John Davidson should 'be so little famous'. Now, at last, criticism has established Davidson as a key figure in the emergence of literary modernism, as the best Scottish poet between Robert Burns and Hugh MacDiarmid, and as an important influence on the younger poets of his day, most notably T. S. Eliot. In this, the first biography of Davidson for more than thirty years, John Sloan presents a wealth of new information about Davidson's life, including his time in London, and the ties which connect him to Sherard's circle, to Wilde, Yeats, and the Rhymers' Club. John Davidson, First of the Moderns explores Davidson'...
Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relations...
Haydn by J. Cuthbert (James Cuthbert) Hadden Haydn's position, alike in music and in musical biography, is almost unique. With the doubtful exception of Sebastian Bach, no composer of the first rank ever enjoyed a more tranquil career. Bach was not once outside his native Germany; Haydn left Austria only to make those visits to England which had so important an influence on the later manifestations of his genius: His was a long, sane, sound, and on the whole, fortunate existence. For many years he was poor and obscure, but if he had his time of trial, he never experienced a time of failure. With practical wisdom he conquered the Fates and became eminent. A hard, struggling youth merged into ...
This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The volume benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture.
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