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Art Therapy in Australia: Taking a Postcolonial, Aesthetic Turn explores and enacts established and emergent art therapy histories, narratives and practices in the specific postcolonial context of contemporary Australia. It is the first published book to attempt to map this terrain. In doing so, the book aims to document important aspects of art therapy in Australia, including how Australian approaches both reiterate and challenge the dominant discourse of art therapy. This book is as much a performance as an account of the potential of art therapy to honour alterity, illuminate possibilities and bear witness to the intrapsychic, relational and social realms. The book offers a selective window into the rambling assemblage that is art therapy in the ‘Great Southern Land’. Contributors are: Jan Allen, Bronwyn Davies, Claire Edwards, Nicolette Eisdell, Patricia Fenner, John Henzell, Pam Johnston, Lynn Kapitan, Carmen Lawson, Sheridan Linnell, Tarquam McKenna, Michelle Moss, Suzanne Perry, Josephine Pretorius, Jean Rumbold, Victoria Schnaedelbach, Lilian Tan, Jody Thomson, Jill Westwood, Amanda Woodford, and Davina Woods.
Among the laws agreed upon in England for the governing of the Province of Pennsylvania was one providing for a registry of marriages, births, and deaths. Marriage licenses were issued from the Office of the Provincial Secretary, those listed in this work dating from 1742. Some earlier registers of licenses and some kept at a later date are missing, yet this work still features a base list of 6,500 marriages, to which we have added a further 3,500 marriages from articles in the Pennsylvania Magazine of History and Biography and The Pennsylvania Genealogical Magazine. All 10,000 marriages are based on public records as opposed to church records.