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Faulkner and Humor
While the essays in this volume explore various aspects of Faulkner's rich and inexhaustible comic art, they all hold in common one axiom: that William Faulkner, the recognized genius of tragic art, is a master of comic forms as well and, further, that neither mode, tragic or comic, is ever very far from the other in Faulkner's world. James Cox and Wiliam Claxon reassert a familiar but helpful reminder of the outlandish humor in Jason Compson's world. The comic world of As I Lay Dying, Light in August, and Go Down, Moses is treated variously as irony of miscommunicaton, as framing device for character portrayal, and as comedy of incongruity--three qualities that offer new insights about these richly funny works. ISBN 0-87805-282-8 (pbk): $14.95.
Exposed
Rashin joined the others in the recitation they always said before they ate: “We are the invisible hand of justice, the caretakers of humanity, the voice of reason when the world becomes unreasonable.” Rashin believed in those words. Anton D. Morris has concocted not only a swiftly-paced suspense churner, he has also constructed a compelling premise about people’s lot in life-how they got where they are-and whether or not they have the wherewithal to change life as they know it. Pacific Book Review Rashin is part of a Black secret society. He has a daughter and two sons. Cassandra’s a scrupulous lawyer. Jason runs an international company. Horus runs for President of the United State...
Togail Troi
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Indianapolis
NEW YORK TIMES BESTSELLER * “GRIPPING…THIS YARN HAS IT ALL.” —USA TODAY * “A WONDERFUL BOOK.” —The Christian Science Monitor * “ENTHRALLING.” —Kirkus Reviews (starred review) * “A MUST-READ.” —Booklist (starred review) A human drama unlike any other—the riveting and definitive full story of the worst sea disaster in United States naval history. Just after midnight on July 30, 1945, the USS Indianapolis is sailing alone in the Philippine Sea when she is sunk by two Japanese torpedoes. For the next five nights and four days, almost three hundred miles from the nearest land, nearly nine hundred men battle injuries, sharks, dehydration, insanity, and eventually each o...
Ordered by Words
William Faulkner created compelling worlds with his words, but he repeatedly used his characters to warn against words. Relying on Mikhail Bakhtin’s theory of language as both the creation of its user and a social construct, Judith Lockyer outlines Faulkner’s discovery of the power and danger in language. Five of Faulkner’s characters—Horace Benbow, Quentin Compson, Darl Bundren, Isaac McCaslin, and Gavin Stevens—were endowed with a desire for the absolute, inviolable word. Faulkner both shares that desire and argues against it, making the dialogue about language the subtext of all his novels. Here, this continuing dialogue is traced chronologically from Flags in the Dust (Faulkner’s third novel) to A Fable (a late novel here shown in a revealing new light). Lockyer also connects Faulkner’s ideas about language and narration to his social and thematic concerns, particularly to America’s legacy of racial strife. This is a coherent, convincing reading of Faulkner, from the time he finds his true voice and subject in the South through the late novels.
Senate documents
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Rants and Raves
In his debut collection of short fiction, Nathan Leslie delivers a dark and scathing portrait of contemporary American society. Here, each gothic story reveals the vicious division of the sexes that lurks behind the glossy exterior of our everyday lives. Within this collection you will find a tale of a man stricken with vivid prophetic visions, a story of a tormented father who leads his son on a strange late-night journey through the woods, and another in which a man tries to sabotage his own wedding with a perfectly forged ring. Intense, urgent, and larger-than-life, these stories sketch the characters that lurk in the shadows of our strip-mall culture: phrenologists, tortured mystics, twisted egg collectors, spelunker bluesmen, control freaks, seedy yacht salesmen, and male escorts. Rants and Raves offers nothing less than a portrait of hell, a picture of an America about to implode.
